Where Normal Need Not Apply
Agents, publishers, and publishing paths. Sample topics: traditional and self-publishing issues, e-publishers vs. agents, what platform “numbers” mean, small publishers, trends, understanding fan fiction, etc.
Many authors dream of working with books beyond just writing them and become editors, agents, librarians, or booksellers. In fact, Angela Quarles, my writing bestie, is opening a bookstore! And she’s looking for suggestions to make her genre- and writer-friendly shop among the best.
Pin It
With all the obstacles in the way of our success, it can sometimes feel like we’re all alone in this career. But if we’re lucky, we might have the sense that our writing community and publishing partners are pulling for us too.
Pin It
With the rise of self-publishing, we’ve probably seen books that label the content inside, but if we’re not sure whether we should consider using trigger warnings, Bran L. Ayres is here to share their insights and tips on why they’re important and how to use them.
Pin It
Heads up: You’re going to want to bookmark this post. *smile* The last few weeks have proven that trademark problems are here to stay in the publishing world for all authors of every genre, but we can fight back.
Pin It
A crazy story erupted on social media with the hashtag #cockygate involving authors, Amazon KDP, and trademark law. One author is attempting to prevent others from using a word in their book titles, as she mistakenly thinks our book titles are our brands.
Pin It
We often hear advice about online marketing, but we shouldn’t forget local opportunities. Elizabeth Randolph is here to give her unvarnished look at a few local promotion options—what worked, what didn’t, and what she wants to try in the future.
Pin It
Sometime during our writing career, we’re bound to feel stuck. To help us, Lisa Gail Green shares how to recover when we think we’ve reached a dead end.
Pin It
Many groups and forums for self-published authors compare notes on what works (or doesn’t work) for promoting our work. I’m not a promotion expert—at all. But I’m sharing my experience on what I’ve tried so we all have another data point to consider.
Pin It
Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
Pin It
Several debates have come and gone on the publishing landscape. Plotters vs. pantsers, self-published vs. traditionally published, etc. I’ve always said that people should find whatever works for them, but what if we don’t know what that might be?
Pin It
