Where Normal Need Not Apply
Introductions for all of Jami’s posts as a faculty member at Fiction University, including the complete collection of her Indie Publishing Paths series.
Even though I don’t want my blog to turn into “all self-publishing tips all the time,” I also want to share my indie publishing insights and advice. My friend Janice Hardy came up with the perfect solution: joining the Indie Author Series at Fiction University, where I’m writing a series digging into some of our options for indie publishing.
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Indie publishing isn’t made up of just one decision to put us on one path. The choice to self-publish is just the first of dozens, maybe hundreds, of decisions we’re going to have to make as part of our indie career. One choice we have to face is how we want to sell our books. There’s no right or wrong answers—only what works best for us.
Pin ItIndie publishing isn’t made up of just one decision to put us on one path. Last month, we identified four options for the distribution of our books, and we started with a closer look at two of those distribution options. This month, we’re looking at the other two distribution options and when they might work best for us.
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A common question among those getting ready to indie publish is “Should I use pre-orders or just publish right away?” My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our release schedule and talking about the pros and cons for each choice.
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Self-publishing advice often centers on how much we should charge for our work, and the advice often conflicts. My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our pricing strategy and why we might want to make each choice.
Pin ItIf we’re looking into self-publishing, we’ve probably seen conflicting advice about how much to charge for our work. My monthly guest post over at Janice Hardy’s Fiction University digs deeper into the pros and cons of pricing low.
Pin ItAs writers and as readers, we’ve probably noticed the many ebooks offered for free and wondered why anyone would do all that work for nothing in return. My monthly guest post at Janice Hardy’s Fiction University explores the benefits and risks of freebies.
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Once we get a reader to check out one of our books, we want to hold onto them and keep them as a reader. Let’s take a look at our options for retaining readers…
Pin ItIf readers like our books, they might want to check out our other stories. Let’s take a look at our options for using buy links to increase the chances that they’ll purchase our work…
Pin ItLinks in the back of our book can lead to our other books or to a mailing list signup. But the internet is fluid and websites and pages change. How can we make sure our links won’t go bad?
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