Your Story’s Promise: Do You Need an Epilogue?
Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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Epilogue Pros and Cons: But Wait — There’s More!
We often talk about the pros and cons of prologues, but epilogues can be good or bad as well. Let’s look at how epilogues differ from normal endings, what they can do, and what they shouldn’t do.
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How to Use Focused Brainstorming to Develop Our Plot — Guest: Janice Hardy
Unless we’re only ever going to write just one book, we need to improve our ability to develop an idea into a story. That means we need to learn how to brainstorm in a productive way.
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How to Save a Broken Story
A truly broken story is one where the pieces of the story don’t come together in a coherent whole. But if we’re willing to put in the work, virtually any story can be saved. Then question then is: What steps should we take to fix a broken story?
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Can TV Shows Help Us Hook Our Readers?
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from TV writing that might help us with scene and chapter hooks.
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Character Conflict: Goals, Needs, and False Beliefs
Just as our characters can have inner and outer layers, the same applies to their goals. Those two types of goals can give them internal and external arcs. But what do we mean by conflicting goals—and how do false beliefs play a role?
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What Does It Mean to Create Layered Characters?
In the writing world, we’ve probably heard the advice to create layers in our stories and characters. But the word layers can refer to many different aspects of writing, so let’s take a deeper look at one aspect of layering: character layers.
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Choices, Choices: Debating How a Scene Should Play Out
We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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Showing vs. Telling: The Power of Context
The implication of the advice to “show, don’t tell” is that showing is “better” than telling when our story actually needs both. Let’s explore what “show, don’t tell” really means when it comes to storytelling.
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Showing vs. Telling: Don’t Assume Showing Is Better
In the writing world, we often hear the advice to “show, don’t tell.” I’ve mentioned before that telling isn’t bad or something to be avoided at all costs, and a fantastic post by Cecilia Tan points out how the advice can actually be harmful.
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