Story Conflict: It’s Not as Simple as We Think — Guest: L. Deborah Sword
How can we include conflict—and conflict resolution—between our characters without relying only on fighting? Check out L. Deborah Sword’s insights.
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Watching Out for Redundancy in Our Story
Let’s say this only once: Repetition and redundancy in our writing is a problem, but we can learn how to avoid the issue.
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How Can We Make Scenes Feel Stronger with Sequels?
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
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What’s the Right Way to Include Multiple POVs? — Guest: Kassandra Lamb
Some stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
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Character Descriptions: Avoiding the Boring Stuff — Guest: Angela Ackerman
Character descriptions are often necessary in a story, but can be boring. Here’s Angela Ackerman’s 7 tips for how we can keep our character descriptions from slowing our story.
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Conflicts and Goals: How Do They Work in Romance?
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
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Pitching Our Story: Insights from Movie Trailers
When pitching our story, we might struggle with figuring out which elements to focus on. How do we decide what to emphasize in our pitch?
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Worldbuilding Is for Every Story
Everyone understands what worldbuilding is for fantasy, science fiction, historical, etc., but what does worldbuilding mean for contemporary stories?
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What’s Your Non-Fiction Voice?
Even if we usually write fiction, we’ll likely write non-fiction sometimes. And when our fiction voice isn’t appropriate, we’ll need to develop a different style for non-fiction.
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Worldbuilding: Your Story World’s History 101
Worldbuilding means we have to create the “rules” for our characters and their story world. How can we can develop our story’s world to make it feel real?
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