Inner conflict is essential for deep characters and storytelling. Angela Ackerman shares examples, tips, and insights for how can we use and add internalr conflict with our characters and story, as well as for how to force our characters to make the hard decisions
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into foreshadowing and how to use it with our story.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into point of view and whether a deeper POV is always better.
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What are the different layers of conflict? How can understanding the different levels of conflict help our writing?
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into the lessons we can take away from the movie Everything Everywhere All at Once.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how to balance scenes and sequels.
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Angela Ackerman is sharing 5 methods to dig into our character and find their inner conflict—and examples for how to implement the ideas too!
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into how story structure problems can cause surprising issues.
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Need more obstacles for your story and characters? Here’s how to easily make obstacles stronger, especially for our Black Moment.
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What does it mean to take a different approach to conflict? And how can that understanding help us keep readers engaged in our story?
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