How Can We Make Scenes Feel Stronger with Sequels?
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
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Where Normal Need Not Apply
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
Pin ItNear the end of a story the protagonist often takes “a leap of faith.” How can we make our protagonist’s leap feel earned and strengthen our story’s theme?
Pin ItThere’s no “one right way” in writing, so how should we approach writing advice if even the most frequently shared advice is often wrong?
Pin ItTropes are often seen as lazy writing, but they can be good for our story. How can we make tropes meaningful and not cliché?
Pin ItSome stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
Pin ItCharacter descriptions are often necessary in a story, but can be boring. Here’s Angela Ackerman’s 7 tips for how we can keep our character descriptions from slowing our story.
Pin ItI never watched Game of Thrones but this past season is an excellent example of how pacing can affect character arcs and readers’ relationships to our characters.
Pin ItSome writers plan their worldbuilding details in advance. Others…not so much. How can we worldbuild when we write a series by the seat of our pants?
Pin ItWorldbuilding means we have to create the “rules” for our characters and their story world. How can we can develop our story’s world to make it feel real?
Pin ItAnytime we make a lot of changes to our story, we risk problems, but it helps to track the edits we need to make. How can we organize our revision?
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