Where Normal Need Not Apply
The word showing obviously makes us think visually, but same as us, our characters experience the world through more than just their visual sense. What are our options for showing beyond visual descriptions? Can we create a deeper world by engaging other senses?
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In the writing world, we often hear the advice to “show, don’t tell.” I’ve mentioned before that telling isn’t bad or something to be avoided at all costs, and a fantastic post by Cecilia Tan points out how the advice can actually be harmful.
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Whether we want to know for real-life purposes or for our writing, Bran’s post today helps us identify elements of healthy romances. Authors need to be careful of sending readers the wrong message. Everyone deserves to be in a healthy, loving relationship—including our characters.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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How much of yourself is in your writing? This question can dig much deeper into who we are than just the superficial, and the more we’re aware of our influences, the more we can improve our stories.
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Several writing craft issues tend to be hallmarks of what’s called “lazy writing.” The practice of head hopping is usually considered lazy writing, but we might not understand why it earns that label. Let’s learn more and see how we can avoid head hopping and the “lazy writing” trap.
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We all love a “good” villain, but sometimes we want our bad guy to see the light and find redemption (or at least start on that path). Becca Puglisi is here to show us how with four paths to redemption for our villain.
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of theme development.
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