Unless we’re only ever going to write just one book, we need to improve our ability to develop an idea into a story. That means we need to learn how to brainstorm in a productive way.
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Just as we have go-to favorite authors that we know we can depend on for delivering a certain type of story, readers are evaluating us for what we can deliver: What’s our promise to readers when they pick up one of our stories?
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Just as our characters can have inner and outer layers, the same applies to their goals. Those two types of goals can give them internal and external arcs. But what do we mean by conflicting goals—and how do false beliefs play a role?
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In the writing world, we’ve probably heard the advice to create layers in our stories and characters. But the word layers can refer to many different aspects of writing, so let’s take a deeper look at one aspect of layering: character layers.
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Whether we want to know for real-life purposes or for our writing, Bran’s post today helps us identify elements of healthy romances. Authors need to be careful of sending readers the wrong message. Everyone deserves to be in a healthy, loving relationship—including our characters.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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Characters inhabit every story, and yet we might not have thought deeply about what they are, what they mean for our story, and how we can use that knowledge to create characterization. Today, author Damon Suede shares his insights.
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As writers, we push ourselves to learn new skills and strengthen our craft—despite discouragement, lack of support, and only a small chance of success. We persevere.
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An article comparing the Arrival movie to its short story inspiration triggered me to see Genre differently. In short, our story’s genre is simply the worldbuilding “lens” we use to explore our story’s meaning.
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It’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.
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