Inner conflict is essential for deep characters and storytelling. Angela Ackerman shares examples, tips, and insights for how can we use and add internalr conflict with our characters and story, as well as for how to force our characters to make the hard decisions
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how a specific writing technique can point readers’ attention just where we want it.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how a journalism technique can help us find our story’s essence.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into short stories and character arcs.
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What are the different layers of conflict? How can understanding the different levels of conflict help our writing?
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What can our character’s talents or skills add to our story if they’re not important to the plot? Becca Puglisi of Writers Helping Writers shares five ideas.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re comparing story focus: plot vs. character arcs.
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Angela Ackerman is sharing 5 methods to dig into our character and find their inner conflict—and examples for how to implement the ideas too!
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into how to make our characters interact with our setting.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into what it means to treat our settings as characters.
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