Writing a Series? 7 Do’s and Don’ts — Guest: Kassandra Lamb
If you’ve ever thought about writing a series but weren’t sure how to “evolve” the series from book to book, Kassandra Lamb is here to share her insights.
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NaNoWriMo Is Coming…Are You Ready?
This time of year, writers try to get their story idea into shape before the first of November. Here’s some help to get your planning off on the right foot with NaNoWriMo.
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How Is Our Protagonist Challenged to Improve? (& a Worksheet!)
In our story, something makes our protagonist change and progress in their internal journey. But what’s that something? What triggers them to grow?
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Write Romance? Announcing a New Workshop!
Downloaded over 60,000 times, my Romance Beat sheet helps writers of all levels build romance stories. But how do we use this extremely popular tool?
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Backstory: Avoid Info Dumping by Making It Essential: Part 5 — Guest: Kris Kennedy
Once we know what our character’s backstory makes them think they could never do, we know how to show their path of change and growth over the story.
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Backstory: Avoid Info Dumping by Making It Essential: Part 4 — Guest: Kris Kennedy
A character’s backstory reveals what they thought they could never do, which gives us ideas for our plot and making them face their fears.
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Backstory: Avoid Info Dumping by Making It Essential: Part 3 — Guest: Kris Kennedy
A character’s backstory can be mined to add more emotion to our stories, such as by layering how their backstory’s defining moment affected them.
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Backstory: Avoid Info Dumping by Making It Essential: Part 2 — Guest: Kris Kennedy
A character’s false belief is central to a story’s internal arc, and the defining moment in a character’s backstory is key to creating that false belief.
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Backstory: Avoid Info Dumping by Making It Essential: Part 1 — Guest: Kris Kennedy
Backstory helps readers connect to our characters and provides context for their actions, but how can we make it compelling and avoid boring information dumps?
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How Can We Make Scenes Feel Stronger with Sequels?
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
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