What’s the Right Way to Include Multiple POVs? — Guest: Kassandra Lamb
Some stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
Pin ItCharacter Descriptions: Avoiding the Boring Stuff — Guest: Angela Ackerman
Character descriptions are often necessary in a story, but can be boring. Here’s Angela Ackerman’s 7 tips for how we can keep our character descriptions from slowing our story.
Pin ItCan We Take a Break from Online? (& Blogiversary Winners!)
The online world can be wonderful or overwhelming (or sometimes both at the same time). What does it mean to go offline in our super-connected world?
Pin ItHow Can We Build Our Writing Community?
Most writers help each other, but it’s also nice to have a closer group of writing friends that we can reach out to. How can we build our group of friends?
Pin ItDo Our Stories Need More Conflict?
Out in the world, conflict is usually considered a bad thing, but our stories need it. How much conflict does our story need and how can we add more?
Pin ItStory and Character Goals: Can There Be Too Many?
There are many types of goals we have to juggle when writing, and conflict between our storytelling goals can make that juggling act more difficult.
Pin It9th Annual Blogiversary Contest — Prize: Me! Wait…er, What?
It’s that time of year again. My nine-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for nine years. How can something feel like yesterday and forever at the same time?
Pin ItWhat Does “Plot Reveals Character” Mean?
We might have heard that the purpose of the plot is to reveal character. What does that mean and how can understanding it help our storytelling?
Pin ItCan We Run Out of Stories to Read?
A tweet along the lines of “I ran out of books in my to-be-read pile” shocked me. How do we find books to read and how can we can expand our choices?
Pin ItCan Passive Goals Ever Be Good for Our Story?
Our characters don’t want to change, so they often start with passive internal goals. How we can make those passive goals work for us and our story?
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