Overwhelmed? Break Down Tasks for Writing and Life — Guest: Augustina Van Hoven
If we’re overwhelmed, that stress isn’t good for our creativity. Let’s explore how to break tasks into manageable chunks—for writing and for our life.
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What’s the Right Way to Include Multiple POVs? — Guest: Kassandra Lamb
Some stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
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Pantser vs. Plotter vs. Something in Between
To hear some authors talk, we’d think there are strict plotters and strict pantsers and nothing in between, but there’s really no end to the mix of approaches we can use in our drafting.
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Revise vs. Start New: Which Is Better When We’re Stuck?
Ever hear the tip: Don’t let yourself get stuck on a single story? How can we know whether to listen or ignore that advice?
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Writing Prompts: Helpful? Or a Waste of Time? — Guest: Savannah Cordova
Writing prompts can help with inspiration or creativity, or distract us from the writing we’re “supposed to” do. How can we make them more helpful to us?
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Worldbuilding a Series: Writing without a Plan
Some writers plan their worldbuilding details in advance. Others…not so much. How can we worldbuild when we write a series by the seat of our pants?
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Worldbuilding: Your Story World’s History 101
Worldbuilding means we have to create the “rules” for our characters and their story world. How can we can develop our story’s world to make it feel real?
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Story Tropes: How Do We Twist a Cliché?
Sometimes we’ll hear writing advice like “avoid clichés,” but what does that mean when it comes to story tropes? After all, can’t tropes be helpful? And if so, how do we make them less cliché?
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How Do Pantsers Develop Characters?
Plotters might find any kind of pantsing hard to understand, but even pantsers can struggle with pantsing our characters’ development, as that process comes with a different set of problems from developing our plots.
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Our Story’s Essence: What’s the Story We Want to Tell?
Last week, we talked about discovering the essence of our character, but what about the essence of our story. What makes a story idea the one we want to tell? And why does understanding our story’s essence matter?
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