Where Normal Need Not Apply
Tip-heavy posts about writing skills and concepts that improve our stories. Sample topics: how to create a strong character, storytelling skills, information dumps, using point of view, subtext, using themes, building scenes, etc.
Longer writing—such as stories—can often be easier to write than something shorter, like a synopsis, query, Twitter pitch, or log line. That’s why the skills important in poetry can strengthen our prose writing.
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A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
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When faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
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Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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We often talk about the pros and cons of prologues, but epilogues can be good or bad as well. Let’s look at how epilogues differ from normal endings, what they can do, and what they shouldn’t do.
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Unless we’re only ever going to write just one book, we need to improve our ability to develop an idea into a story. That means we need to learn how to brainstorm in a productive way.
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A truly broken story is one where the pieces of the story don’t come together in a coherent whole. But if we’re willing to put in the work, virtually any story can be saved. Then question then is: What steps should we take to fix a broken story?
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from TV writing that might help us with scene and chapter hooks.
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Just as our characters can have inner and outer layers, the same applies to their goals. Those two types of goals can give them internal and external arcs. But what do we mean by conflicting goals—and how do false beliefs play a role?
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In the writing world, we’ve probably heard the advice to create layers in our stories and characters. But the word layers can refer to many different aspects of writing, so let’s take a deeper look at one aspect of layering: character layers.
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