Where Normal Need Not Apply
Plotters might find any kind of pantsing hard to understand, but even pantsers can struggle with pantsing our characters’ development, as that process comes with a different set of problems from developing our plots.
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Somewhere along our learning curve as writers, we’re likely to come across the skill of layering. Layering can help us create unique characters, no matter how stereotypical or tropey they might be on the surface.
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A truly broken story is one where the pieces of the story don’t come together in a coherent whole. But if we’re willing to put in the work, virtually any story can be saved. Then question then is: What steps should we take to fix a broken story?
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In the writing world, we’ve probably heard the advice to create layers in our stories and characters. But the word layers can refer to many different aspects of writing, so let’s take a deeper look at one aspect of layering: character layers.
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We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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The implication of the advice to “show, don’t tell” is that showing is “better” than telling when our story actually needs both. Let’s explore what “show, don’t tell” really means when it comes to storytelling.
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Recently, a blog reader asked me whether she should worry about her word count while she revised. Her question highlights how a better understanding of the revision process can help our storytelling.
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A post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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