Where Normal Need Not Apply
Recently, a blog reader asked me whether she should worry about her word count while she revised. Her question highlights how a better understanding of the revision process can help our storytelling.
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A post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Copy Editing skills. What craft skills do we need to understand and be able to apply to perfect our writing?
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Line Editing skills. What craft skills do we need to understand and be able to apply to develop our voice and writing?
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Our readers often want an emotional connection to our story and characters, but sometimes we struggle to explore deep emotions in our stories. Luckily, our lifetime of memories is the perfect repository of emotions for us to mine.
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We’ve been talking about the difference types of transitions we might create between scenes and plot events. Today, we’re focusing on the types of sentences that will strengthen our scene endings (and thus our scenes).
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