antagonist

Story Climax: Forcing Characters to Move Forward

April 30, 2015 Writing Stuff
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Whatever happens in the Climax is often the reason we decided to write the story back when it was just a twinkle in our muse’s eye. But just before the beat of the Climax, our character experienced the Black Moment/Crisis, where they gave up. How do we get them to recommit to the story goals?

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How to Place Turning Points on a Beat Sheet

February 5, 2015 Writing Stuff
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Is a Catalyst the same thing as an Inciting Incident? (Answer: Yes.) How do I know? It’s not because there’s a secret cheat sheet with translations for every beat sheet term. *smile* If we know the functions beats fulfill in a story, we’ll always know where a story event belongs on a beat sheet.

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How to Create Characters Worth Reading

January 27, 2015 Writing Stuff
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There’s no shortage of blog posts about what makes characters likable to readers. Yet readers still read and enjoy stories with unlikable characters. Why? Let’s take a look at what options we have for creating characters that compel readers to keep turning pages.

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Balancing Conflict in Romance Stories

January 22, 2015 Writing Stuff
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One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.

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What Makes a Story’s Black Moment a Black Moment?

December 16, 2014 Writing Stuff
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The Black Moment is usually one of the most emotional sections of the story, so it can be difficult to pull together. If we read stories (or watch movies), we’ve seen this beat play out endless times, so we probably understand the plot point more than we may think. But let’s take a closer look and see if we can learn something new.

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Why No Advice Is Perfect: Character Emotions

September 30, 2014 Writing Stuff
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.

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Blogiversary Winners & a New Worksheet!

July 10, 2014 Writing Stuff
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I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.

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What’s the Perfect Job for Our Characters?

April 29, 2014 Writing Stuff
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If we write our story well, every aspect of the story will contribute to the overall picture and create an impression for the reader. There aren’t any unimportant details in a well-written story. And that means the careers for our characters shouldn’t be an afterthought either.

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Building a Theme through Character Arcs

April 3, 2014 Writing Stuff
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We normally create stories where the point—the theme—is in line with our worldview. But it’s not unusual for our characters to hold opposite beliefs, even our protagonists. At least to start. And their story journey is often where our theme lies.

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How to Make Turning Points Drive Arcs and Themes

February 11, 2014 Writing Stuff
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Last week, we looked at turning points from the perspective of beat sheets—how to identify them and ensure they’re changing the direction of the story enough to deserve their name. But turning points affect the story in other ways too. Turning points aren’t just about plot twists. (In fact, plot twists come with a warning.) […]

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