antagonist

Story Structure: What Should We Do for Trilogies?

February 14, 2017 Writing Stuff
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If we’ve thought of writing a trilogy, we might have struggled with questions about how we should structure our stories over three books. Or how we should break up the plot and character arcs. Today, let’s try to answer those questions!

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Editing Tips: Top 3 Story Issues — Guest: Naomi Hughes

January 24, 2017 Writing Stuff
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Editor Naomi Hughes is here with the first post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the story level of developmental editing—and giving tips on how to fix those issues!

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When Is a Shocking Scene Necessary…or Gratuitous?

August 2, 2016 Writing Stuff
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As authors, we need to be careful when dealing with shocking, horrifying, or potentially problematic story elements. Let’s explore the steps we can go through to figure out the right approach for our genre, story, and characters.

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Plot Obstacles & Character Agency

May 17, 2016 Writing Stuff
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Ashley asked a question in the comments last week that gets at the heart of strong, proactive characters. Even in literary fiction, characters are usually faced with making choices, and whatever triggers those choices is where we’ll find plot and character agency.

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Plot Obstacles: Too Easy, Too Difficult, or Just Right?

May 12, 2016 Writing Stuff
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Our characters have to overcome many problems throughout our plot, but changing the obstacles doesn’t always fix story problems. Sure, sometimes an obstacle doesn’t fit the story, but too often, the obstacle itself isn’t broken—but the storytelling around the obstacle.

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What’s the Difference between Plot and Story?

May 3, 2016 Writing Stuff
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When we first start off as writers, if someone asks us about our story, we might launch into an overview of our story’s plot. It’s easy to think the plot is what our story is about. But with few exceptions, story isn’t the same as plot.

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Subtext: Creating Layered Characters

April 21, 2016 Writing Stuff
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I’ve written many times about how much I love subtext, the stuff that happens between the lines. Subtext lurks in many aspects of our stories and helps immerse readers and add realism and tension. In addition, subtext can help us build layered characters.

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Story Conflict: Villains vs. Antagonists

March 1, 2016 Writing Stuff
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Conflict is one of those words we all think we understand, but the writing-world meaning doesn’t have the same connotation as the non-writing meaning. Yet it’s only after understanding conflict that we’ll see the difference between antagonists and villains in storytelling.

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Character Likability and Subtext

September 17, 2015 Writing Stuff
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How are villains, character likability, subtext, and point-of-view all related? In many stories, our antagonist is a non-POV character, and for non-POV characters, my previous tips about likability will be limited to subtext. So even though we might not be trying to make our villain likable, we might struggle to make them layered.

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Story Climax: Forcing Characters to Move Forward

April 30, 2015 Writing Stuff
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Whatever happens in the Climax is often the reason we decided to write the story back when it was just a twinkle in our muse’s eye. But just before the beat of the Climax, our character experienced the Black Moment/Crisis, where they gave up. How do we get them to recommit to the story goals?

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