Favorite Stories: Reading vs. Writing

by Jami Gold on July 15, 2014

in Random Musings

Statue of a mother reading to a child with text: Does Your Writing Reflect Your Childhood Favorites?

This past weekend, my family watched an old ’70s movie inspired by one of my favorite childhood books, Escape to Witch Mountain. The movie is only slightly related to the book (two orphans with magical powers have to evade bad guys and find the rest of their people), but we enjoyed the cheesy special effects anyway. After the movie, I dug through my collection of childhood favorites, and sure enough, I still had my copy of the book.

That trip down memory lane got me thinking about the other books I loved when I was a kid. I still have—yes, I kept these too—several books by Ruth Chew, including The Magic CaveSummer Magic, and The Trouble with Magic. Each of those books are about two kids who encounter magic of one sort or another. Hmm…

While I haven’t reread any of those books since I was a kid, I’ve reread one of my other favorites several times over the years. Unlike the others, which were buried, The Chronicles of Narnia lives on my keeper shelf next to my desk (in the original publication order of course).

Notice a trend? Taken as a whole, all of those books involve magic and make a case for my favorite genre as a child being fantasy, specifically contemporary fantasy, where at least part of the story takes place in this world.

So maybe it’s no surprise that as an adult I write paranormal romance (contemporary fantasy in “a kissing book” *grin*). Exchange a sexy hero and a strong heroine for the brother/sister teams of those childhood books, and there are yet more similarities.

Do Our Childhood Reading Preferences Still Affect Us?

That realization this past weekend made me wonder if I was alone with how my childhood preferences carried forward to my adult reading habits. Just like back then, I read more broadly than a single genre, but my favorites tend to cluster around stories with certain elements.

As a child, I loved magical/fantasy stories for their sense of awe and wonder and limitless possibilities. I read classic science fiction for the mind-expanding commentary on what makes us human and on understanding our potential. I enjoyed general fiction for the exploration of relationships between characters.

All of those preferences—awe and limitless possibilities, social commentary, revealing humanity’s potential, and searching for life’s meaning through relationships—still hold true for me today. The stories and genres I read now have grown up and matured, but the aspects that resonate with me haven’t changed.

Or Do Our Reading Preferences Change Along with Us?

I’ve mentioned before that our worldview might not change over our lifetime, and for some of us, maybe this story-type preference is a similar situation. But for others, our reading habits might change along with our evolving personalities.

Those of us who become more cynical in the face of adulthood might find different story elements resonate with us now. Ditto for those scarred by betrayals, grief, or life’s struggles. Still others might see more happiness in life as we age out of the awkwardness and angst of our younger years.

Maybe my preferences have remained the same only because I’m now old enough to have emerged from my cynical phase and circled back to my inherent Pollyanna optimism. As C.S. Lewis wrote to his Goddaughter Lucy Barfield in the dedication of Narnia’s The Lion, the Witch and the Wardrobe:

“Some day you will be old enough to start reading fairy tales again.”

Click image for full quote(Like this quote? )

Do Those Childhood Preferences Affect Our Writing?

I would never claim that either situation—our preferences staying the same or changing—was “right” or “wrong.” As I mentioned, I believe my preferences have changed over the years.

In my case, discovering the joy of writing helped me circle back to where I started. And this brings up the “part B” of my realization: What I loved reading as a child shares similarities with what I love writing now.

Those elements of “limitless possibilities, social commentary, revealing humanity’s potential, and searching for life’s meaning through relationships” fill my paranormal romance stories. Like most authors, my writing encompasses aspects of everything I’ve experienced. But I still found it interesting to see threads of influences in my writing all the way back to my single-digit years.

Know Ourselves; Know Our Writing

As authors, we tend to question ourselves about everything, all the time. Some of us even question whether we’re writing the “right” genre. Would X genre be better? Or maybe Y? Others of us question our voice, the point of view we use, the mood or tone of our stories, etc.

Maybe looking back at our childhood and seeing those early influences will help us understand why we might be pulled in one direction or another with our writing. Or maybe seeing how our preferences have changed over the years will help us accept that we don’t have to write what we used to read.

Just as understanding our worldview
might help us recognize our themes
understanding our reading habits over the years
might help us recognize our influences and preferences.

My understanding of my “love is powerful” worldview showed me why I’m drawn to writing romance stories. And now this understanding of my life-long preference for fantastical stories showed me why everything I write includes something paranormal, fantasy, or science fiction-esque.

Some industry insiders (agents and editors) have stated that paranormal romance is “dead” (they think it’s an over-saturated market), and this attitude has caused me to question my choices for the last several months. However, this new understanding of why I write what I do brought me peace:

I have to write what resonates within me. I can’t change genres without losing a piece of myself.

Not everyone will agree with that attitude. Some don’t mind chasing the market. Some want (or need) to prioritize income. Those aren’t “bad” or “wrong” choices.

Either way, we want to make the right decisions for us. And the best way we can do that is by gaining an understanding of ourselves, our influences, our preferences—and our writing. *smile*

What types of stories did you love as a child? Have the elements that appeal to you changed over your lifetime, and if so, in what way have they changed? If they’ve changed, why do you think that happened? How have your reading preferences influenced your writing? Can you still see some of your childhood loves in your work?

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31 Comments below - Time to Add your own.

Carradee July 15, 2014 at 6:14 am

I was quite sheltered as a child. Even though I was reading it, nobody bothered to point out that historical fiction existed, so I was 10 before I realized it was distinct from the non-fiction I was also reading. (That was actually pretty confusing to experience.)

Some of that sheltering came from my mother, though considers spec fic “childish escapism” by definition. She also had some kinda inconsistent ideas about what was and wasn’t appropriate for a child to be aware of, which also produced much confusion until I started discovering these things called “CD Encyclopedias” and such and managed to at least fill in some of the gaps.

For instance, the extent of “the talk” with my parents was: “You’ve been spending a lot of time in that interactive biology CD. You probably know all about where babies come from already, huh?”

I didn’t. I knew enough to get why there had to be a male and a female, but…I’m asexual. It was all curiosity, no real urge to learn about that more than, say, how the digestive system worked. Over the ensuing years, I learned all sorts of details on my own, often from reading or overhearing something that left me puzzled. Fortunately, I’m good about picking things up from context.

All that to say… I was in my teens before I even discovered some of my favorite genre(s) existed, beyond an occasional stumbling upon a book I really liked.

But having been a voracious reader as a kid, one thing I did read a lot of are classics, some of which I really shouldn’t have read at that age. (My parents seemed to assume that classics would necessarily have no racy content.) I also read the biblical book of Judges + my mother’s psychology textbooks when I was in elementary school.

Even when I didn’t realize that was what I was liking, I’ve always been drawn to the “What if you took X to an extreme?” thought game. (Yes, I do like dystopian fiction. How’d you guess?)

And in that, I’ve always been drawn to characters in extremely bad situations. My read-until-it-wore-out book when I was 8-ish was about a Mexican girl who came to the US illegally with some of her family and their struggles to survive—much of which I didn’t comprehend at the time, because I was clueless about illegal immigration and such, but I loved it anyway. I happened upon it again when I was 12, re-read it, and remember being disappointed—by the writing style, I think. *Googles what she remembers of the title and finds it* Journey of the Sparrows.

So though on one level, what I devour has changed from historical fiction to speculative fiction—though I still enjoy and read the former—it’s less that my interests have changed and more that I’ve found genres that most often suit my interests.

Even now, what I write tends to be more focused on people’s personal struggles more than the big, sweeping world-affecting things of epic fantasy. I have more than one narrator with PTSD, one of which is not entirely functional at the moment (which has gotten at least one reader complaint). Another one’s functional but outright ignores her own issues, so she still has some major issues.

*shrug* I’ve actually been mulling on using the keyword “literary fantasy” to see if that helps readers find it who’ll enjoy it. It all depends on how you define “literary”, but some of my work could be considered that.


Jami Gold July 15, 2014 at 9:14 am

Hi Carradee,

Great insights! Many parents shelter their kids from certain reading materials, but I’d guess it’s usually based on age/reading level and not on genre. On the other hand, I’m not sure all genres exist in children’s literature anyway (at least it didn’t back when I was a kid). So I can relate to the idea of not discovering certain genres until later.

The science fiction reading I mentioned all happened when I was in my teens (I can’t think of any classic sci-fi for younger kids, but there’s probably some recent work in MG and YA now), and dystopian wasn’t anything like it is now. So on that basis alone, there are some genres I couldn’t have discovered and liked when I was a child. (And my romance reading didn’t come until much later too. 😉 )

But as you discovered with your genre history, “looking for similar threads” doesn’t mean our likes and dislikes would be exactly the same. It’s more about seeing what appealed to us throughout our reading history and asking if that still applies to us now.

Ooo, love what you said about focusing on characters’ personal struggles rather than world-sweeping changes. I’m not a big fan of epic fantasy, and I think that’s why. Some authors are able to combine the personal with the huge scope (I’m not a fan of the author or the cheesy movie it spawned, but I enjoyed Battlefield Earth‘s story growth), but too many epic fantasies fail to connect with me. So I guess that’s another reason why I’ve translated my love of spec fic to the very personal. 🙂 Thank you so much for sharing!


Sharon Hughson July 15, 2014 at 9:33 am

I read all the same books that you mentioned reading as a kid. I knew they would affect my writing, as well as my reading.
I’ve moved through different stages in my reading. When my kids were pre-readers, I read mostly inspirational romance and mystery. When they were old enough, I broke out the books I loved (Chronicles of Narnia among them) and began reading them aloud with my sons. In this way, I encouraged a love for fantasy in both of them.
Once they were independent readers, I read every book they read. I had a two-fold purpose: make sure it was suitable and have a starting point for meaningful dialogue. I’m a geek. I can talk until I’m hoarse about books, plots, character arcs, themes and all that goes along with making a book engaging or unbelievable.
I began writing mystery stories involving horses (in 4th grade). I moved to romances involving girls struggling with cliques and self-confidence through middle school. I didn’t try to write anything with magic until I was an adult. My first attempt read more like sci-fi than fantasy (and I can’t handle hardcore sci-fi, so this surprised me).
Once I began working for the school teaching reading to struggling readers, I once again dove into MG and YA books of every genre. I still enjoyed girls friendship stories, stories starring animals and mysteries, but not horror. Unsurprisingly, most of my preferences involved fantasy. After all, my sons read all of Harry Potter and Inheritance, so I read them too. No, I pre-ordered them and read through them before my son had the chance.
Right now, I’m writing YA fantasy with a thread of allegory that I hope isn’t intrusive. I want my stories to be read by everyone, thus I don’t want them pigeonholed as Christian fiction. Of course, I don’t think this is all I will ever write. I love mystery, suspense and romance, and I see that teenagers love these stories, as well. It will be more difficult to impart my Christian worldview in those types of books, however, without sending them off to be classified thusly.
It’s a quandary, but I agree that we must write what we love. In turn, we must read the genre we write. It follows that we will write what we love to read.


Jami Gold July 15, 2014 at 2:25 pm

Hi Sharon,

Good for you in reading every book they read. The kids I know would make this quite the challenge. 🙂 (At our extended family Christmas, each kid receives about a 3 foot stack of books–that they’re halfway through by the end of Christmas vacation. LOL!) (I’m also imagining a kid who loves horror and a parent who hates to read it. Yeeks!) So while it’s not always possible to share actual reading with each other, as you said, the important thing is starting a dialogue with the kids.

It sounds like you’re in a similar situation with your childhood preferences carrying through to your likes today. I’m glad to know I’m not the only one. 🙂 Thanks for the comment!


Serena Yung July 15, 2014 at 9:58 am

Aw, that letter C.S. Lewis wrote to his granddaughter is so sweet! ^^

Hmm, as a child, I read mostly fantasy, action/ adventure, comedy, and animal stories. 😀 Though I still love animals, they aren’t a prominent feature in the stories I read or write anymore. As for comedy, there was a phase in my life where I lost interest in comedy and lighthearted stuff, but now that I’ve grown older, I’ve gotten into comedy again! It seems that when I was in middle to high school, I preferred writing darker, sadder, or just more serious stories, but now ever since somewhere in university, I turned to writing more lighthearted and funny, or simply very happy stories again! ^^ Similarly, I used to prefer slower and sadder music, but now that I’m older, I like faster and happier music! Haha. I think this transition mostly comes from that I used to have next to zero friends, but now I have many good friends and some great close and best friends too!

My fantasy side has always stayed with me, haha, since apart from literary classics, it’s the category that I’ve read most of, and often my stories have fantasy or sci-fi in them.

It seems like I have never lost interest in the action /adventure genre either, since the vast majority of my novels have adventure and often action in them.

Romance could be seen as a new development. As a kid, I guess I sort of liked romance, but also thought that it was gooey and gross, so my feelings towards romance were mixed. During middle and high school, though, I secretly really liked romance, but wouldn’t admit it, because my dad, as I told you, believes that “only girly-girls like romance”, and I didn’t want him to think I was a girly-girl, lol. But I started writing stories with romance in them from grade 8 anyway, haha. Yet I think my “serious” romance writing side came out sometime at the end of 2010, when I wrote some short stories that were almost completely romance-centered. 😀 And now, I shamelessly embrace my romance-loving side, and “romance” has finally changed from its negative connotation in my mind to a positive connotation! Yay! So, you could say I’ve finally started taking romance very seriously, and the very long novel that I’m writing right now is very clearly romance-centered, even though it has action/ adventure and fantasy in it as well.

Hmm, other things that have changed: When I was a kid, I didn’t really care about “themes”. But when I grew older I became more interested (don’t remember when exactly I grew interested, though.) Yet at that time, my interest was still on philosophical stuff; I didn’t care anything about sociological issues. But during the later years of university, I finally started caring about social issues, like class injustice, poverty, and gender equality. Now my stories often have feminist themes. 😀 The themes about how beauty is subjective, and the thing about personality-induced-physical-attractiveness, are also a new sociological/ philosophical/ aesthetic theme that cropped up into my stories.

Also, when I was a kid, I didn’t consciously think about stereotypes and clichés in stories. Then there was a phase where I desperately wanted to knock down all clichés in my stories. But now I’ve come to the phase where I think it’s best to just “be true to yourself”, to write what’s deep inside, which will have both cliché and non-cliché/ counter-stereotypical sides to it. As well, I’ve come to realize that SOME clichés may be desirable to readers. There are certain tropes that I like to see in specific genres, and I do feel kind of upset or disappointed when those tropes don’t appear, lol, but in general I’m flexible in my preferences.


Jami Gold July 15, 2014 at 4:37 pm

Hi Serena,

I’ve always loved that dedication of C.S. Lewis too, which is why I wanted to capture it in an image. 🙂

Ooo, good point that we might find echoes of our preferences in other art forms–like you mentioned stories and music. And like you, my themes have developed and deepened over the years.

LOL! at how you now embrace your love of romance. Yay! Great insights–thanks for sharing!


Serena Yung July 15, 2014 at 7:57 pm

Yay romance! Btw, I always thought writing romance was easy, not as in I can write it well, but as in I feel very comfortable in it, it feels like “my kind of thing”, and I feel in my element when writing romance. So I sort of assumed everyone would find writing romance easy too (not sure why I had that obviously wrong assumption…). But recently I talked to some writer friends, and they find writing romance challenging! So some people might not feel that romance writing comes naturally. Not saying that I’m a “natural” in writing romance—of course not!—but that it feels natural and very pleasant to me, i.e. it spontaneously comes out of me without my trying to. I think it’s about our interests or personality, maybe. I’m the kind of person who enjoys fantasizing about romance scenes involving the hero and heroine. Almost every time I listen to songs, I fantasize about the hero and heroine’s interactions in romantic scenes, and take a lot of pleasure in these fantasies. XD Maybe I should have realized that not EVERYBODY automatically indulges in character romance fantasies as fervently and frequently as I do…^^”

And for some writing topics unrelated to this topic!:

Just realized a new reason why it would be good for me to self-publish instead of to traditionally publish: With the former, I get to keep all the copyrights! I never really thought about copyrights, but I just realized recently that if I can keep the copyrights, I’ll be free to publish my work on online story websites as well as in a book form! Though people tend not to take online stories as seriously as they do published print books, it’s actually easier to reach more readers through putting up online stories. Usually readers don’t read your whole story, but some will at least read the first page—or first paragraph, lol. It’s better than nothing. At least you get the satisfaction that SOME people were exposed to some of your words, even if you don’t see any reviews—at least you get to see how many times your story’s been clicked into, haha. There’s of course the beta reader method, where it’d be easier to find someone to read your entire work, but then you would only be able to get one or a few readers at a time…But with online story sites, as long as your work is always near the top (keep editing and updating! XD), you’ll expose it to many more readers—even if most only read the first paragraph/ sentence or so! Haha, that sounded like I was advertising for online story sites. XD No, it was more like I was advertising it to myself, and seeing that this is another method of getting more readers. (Many of my readers who I give my printed book version of my story only read a tiny bit too anyway, e.g. they only read 30 pages, or just 10 pages, or they only read ONE page. XDD Well I am grateful for every single word they read! So I am very pleasantly surprised at anyone who manages to finish the whole book!)

Also, I recently edited and took out an excerpt from my current novel for my mom to read, and she said it actually DOES look like a first language Chinese speaker wrote it, and it looks like it’s at the average or high-average level of proficiency! But definitely not low-average, she said. ^^ Yay! Maybe I can pass off as first-language ish after all! It could also be that since I write my story almost every single day, my Chinese has become very developed in this very specific area—martial arts stories—but is still underdeveloped in other areas, e.g. in writing everyday communications. A girl I was chatting with on a Chinese online story discussion board (my very first time participating in online Chinese discussions! :D), because I really really really love her story, remarked that my Chinese looks like it’s from a translated story—the grammar is a bit different. ^^” Darn…I couldn’t COMPLETELY pass off as a native…at least not on the discussion board…Hopefully I concealed it better in my story, haha. Yeah, lol…me trying to pass off as a native on a forum thread and not quite succeeding…XDD

But my plan is to later post that story online anyway, come what, come may—after I finish writing, editing, and publishing it, haha. And see what happens. :O

And…the last thing I wanted to talk about is: Going back to the How to Make the Most of a Scene post (again! ^^”), would you count the number of elements even for super short scenes? You know those scenes that are only a few paragraphs long, or even just ONE paragraph long? I guess the reader wouldn’t mind too much if the super short scene has a limited number of elements, since it really is just super short…


Jami Gold July 16, 2014 at 10:03 am

Hi Serena,

I get that. Writing romance feels natural to me too–like my work would contain romance whether I intended it to or not. 🙂

Good point about copyrights and the ability to do what we want with the work. I’ve heard of some traditionally published authors who had to get permission to include an excerpt of their own story on their blog or in reviewer’s blog tour posts for marketing purposes. I think some of the boilerplate contracts used to not include that clause, which is crazy on multiple levels. So I think your plan for an online version of your story makes a lot of sense for you. 🙂

Hmm, for your question, I wouldn’t call something just a few paragraphs long a scene. We might have a paragraph or two sequel (a reaction to a scene) directly following a scene, but I usually wouldn’t put a scene break (a blank line) before a sequel that short. The only times I use scene breaks with sequels is when they’re at least a page long and contain their own scene arc (usually the character realizes something and comes to a new conclusion while mulling over recent events).

Other short “non-scenes” would be transitions between scenes, like traveling from one scene to another or a summary of what happened between one scene or another. Again, I wouldn’t use scene breaks before or after those. I’d stick that on to the beginning of the second scene. Transitions aren’t scenes.

A scene–in the “formal” meaning of the word–refers to a segment of a story that has its own arc, like a beginning, middle, and end. Scenes should have a goal and there should be a success, complication, or failure by the end. In other words, something–even something small–should change by the end.

Did that help? Or did I just confuse things more? 🙂 Let me know. Thanks for the comment!


Serena Yung July 16, 2014 at 2:53 pm

Cool definition of a scene! I never thought of it in that way before.

Erm… one of the “super short scenes” I have in mind is clearly a transition, but the other I’m not sure about. For this example, one previous scene had character Y saying that characters ABC and D did terrible crimes and thus were locked up in this prison maze thing and died there a few days ago. Character X believes that ABCD were actually innocent, and so Character Y writes him a list of names of people who witnessed ABCD do those nasty crimes. So, in that “super short scene” (which occurs some pages after that getting the list scene), character X takes out this list, reads it, and sees that there are two people on this list that he knows, and therefore he will try to look for these people he already knows first. Um…does this sound like a sequel, a transition, both, or something else? XD. (This “super short scene” is also currently at the start of a chapter, so it looks really awkward; I’ve gotta fix it or put it somewhere else, haha. And—this “super short scene” is only one paragraph long, lol, so it looks even less scene-like!)


Jami Gold July 17, 2014 at 12:27 pm

Hi Serena,

Hee. Maybe I’ll have to do a post about “what makes a scene” someday. 🙂

Hmm, for your example, that sounds like a non-scene that shouldn’t exist on its own. Ask yourself why that realization needs to happen at That. Very. Minute. in the story and not at another time. I’d bet there isn’t a reason and that you just wrote it at the point your muse reminded you that he needs to come to that realization. That reminder doesn’t necessarily tell you how to show that realization. 🙂

Off the top of my head, I can think of two things you could do with that paragraph:

  • You could simply have him look at the list and make that realization at the end of the scene when Character Y writes the list. Like, Y hands him the list and X looks at it and goes “Huh, I know M and N, so I can start with them.” Then end that previous scene.
  • Or if there’s a reason you don’t want X to have that realization yet (like you need him to do other activities in the middle scenes first and don’t want him distracted by thoughts of the list), you simply have a transition sentence or two at the beginning of the scene when he finally does head toward meeting with those other characters. Like, you open the scene with a transition along the lines of “Once he’d finally gotten a chance to look at Y’s list, two names popped out at him. He knew who they were–and more importantly, where to find them.” Then the next paragraph would show him on the way to meet up with them or something.

(Of course, those are just suggestions and you’d use your voice for all that. I’m just trying to give an example of how those options would work. 🙂 )

In other words, if nothing important happens in that non-scene, you just need to stick the information someplace else it would make sense. It’s the information that’s important, not the action around it. So you can shift the action (or remove it for a summary transition) and attach it to a different scene.

Does that make sense? Hopefully that helps. 🙂 Thanks for the comment!


Serena Yung July 17, 2014 at 3:06 pm

Yeah, I think I would like to stick this paragraph somewhere else too, since it’s just hanging there in midair…lol. Thanks for the tips! ^^


Jami Gold July 17, 2014 at 4:44 pm

Hi Serena,

You’re welcome! 🙂

Sharla Rae July 15, 2014 at 1:11 pm

Love this blog and you bring up good questions.

I grew up listening to both of my grandmothers tell me about when they were teachers in 1-room school houses, how many of the immigrant kids didn’t even speak English and how they rode a horses to the class rooms every morning. For a while they took turns staying with different families because some communities could not afford to provide housing for the teachers and the pay was too low for the teacher to rent a place.

These dear stories fascinated me. I was too young to think about recording any of them but sure wish I had. Also when I was really young our heroes were cowboys on TV. My mom wasn’t so sure about allowing me to watch “Have Gun Will Travel” but I did. She didn’t mind Sky King on Sat. morning. He was a pilot who wore a cowboy hat, btw. So it’s no wonder I started out writing historicals. I still write them but I have to say when Star Trek came along I was truly on board with the idea of space travel too! Now for the first time ever, I’m embarking on my 1st journey of writing a Futuristic.

So, while I’ve stuck with the love of history, I’ve grown into the love of space travel. In a way they are alike. One involves pioneers on Earth and the other is sort of pioneers of outer space and other planets.


Jami Gold July 15, 2014 at 4:47 pm

Hi Sharla Rae,

I love how you compared Star Trek and cowboys. You probably know this already, but for anyone who doesn’t, Gene Roddenberry sold the idea of Star Trek by calling it a “Wagon Train to the stars.” 🙂 More recently, we had shows like Firefly which combined the pioneer aspect with space travel even deeper into the premise and story worlds.

Many of the historical-ish stories I loved as a kid involved King Arthur or aspects of court life, so it’s no surprise that I love to read historical romance too. I just don’t have the knowledge to write it. LOL!

Good luck with your journey into writing a Futuristic! And thanks for sharing! 🙂


Julie Musil July 15, 2014 at 1:50 pm

Funny because as a kid, I didn’t read the usual kid/teen books. I read romance novels and political thrillers. Weird, right? And my favorite books always had a thoughtful, inspirational angle. And that’s what I write. Contemporary, gritty stories with romance and inspiration. It just sort of happened that way!


Jami Gold July 15, 2014 at 4:50 pm

Hi Julie,

Interesting! I can’t imagine reading political thrillers as a kid. 😀

I’ll admit when I put this post up, I wasn’t sure if anyone would be able to relate to my experience, so it’s great fun reading everyone else’s history. 🙂 Thanks for sharing!


Anne R. Allen July 15, 2014 at 2:06 pm

I still have my Narnia books, too. First editions my dad ordered from England before they came out in the US. I adored fantasy books of any kind. (As long as there weren’t too many battles.) But I also read Nancy Drew as a guilty pleasure–I borrowed them from friends and never owned any. (My parents were academics and didn’t approve of factory-written pulp fiction.)

But here I am writing mystery novels, so I guess Nancy Drew affected me more than I realized….


Jami Gold July 15, 2014 at 4:52 pm

Hi Anne,

I still have a couple of Nancy Drew and Hardy Boys too. (Yes, I kept about a hundred or so books from my childhood. 😀 ) LOL! at how your parents disapproval didn’t affect you. 😉 Thanks for sharing!


Lucy Lit July 15, 2014 at 9:47 pm

I chuckled when I read your post because I’ve had an identity crisis recently. While I devoured Nancy Drew as a child, our ‘divorce’ happened when I discovered my mother’s romance stash at age 12. The new love in my life with a few side flings of other genres on occasion! Fast forward multiple decades and I’m writing my first novel. Thought it was an erotic romance (it is) but my editor says “modern Agatha Christie with sex”. Romance and Nancy Drew came full circle. Go figure. And my parents are so proud!


Jami Gold July 16, 2014 at 10:04 am

Hi Lucy,

LOL! at your description. And I love that full-circle aspect! 🙂 Thanks for the comment!


Nina July 16, 2014 at 10:16 am

I am ‘hoist by my own petard’. I loved or was intrigued by EVERY genre except murder mysteries, biographies, and probably something else, but I can’t think of it.
I love the fashion world, futuristic, history as well as romance historicals, sci-fi, westerns, old cliffhangers, Tarzan, Edgar Rice Burroughs-Mars and Venus series too, cookbooks and survival manuals. While we’re at it, let’s not forget old black and white movies watched from my bed in the wash room where and old black and white was on a shelf over the washer. I spent many a night in the summer time watching old movies during my murky youth. I’m effectively screwed to put it bluntly, because my writing tends to reflect these genres. When I first put pen to paper, I wrote a futuristic survival romance. It has followers, but very hard to market things like that.


Jami Gold July 16, 2014 at 10:31 am

Hi Nina,

Yikes! Yep, I can understand that. If you had to come up with a list of 5-10 favorites, would they still be as scattered? Or do your favorite-favorites group together at all?

If not, maybe focus on increasing your writing speed so you can give each of your favorite genres their own time in the sun. 🙂 Good luck and thanks for the comment!


Elle Lee Love July 16, 2014 at 3:13 pm

Hi Jami,
I’m a newbie writer working on my first novel. I love your blog!
Escape to Witch Mountain was one of my favorite movies as a child. I enjoyed watching the children outsmart the bad guys with their magic. I am currently reading paranormal romance novels with brother and sister aliens as the main characters. I don’t think it will ever be possible to have too many paranormal romance novels!


Jami Gold July 17, 2014 at 12:29 pm

Hi Elle Lee,

Aww, thanks! And I’m glad I’m not the only one with a soft spot for that movie. 🙂

And I’m with you–I love paranormal romance stories, so I don’t think there can ever be too many. 😀 Thanks for the comment!


saralitchfield July 16, 2014 at 10:36 pm

I loved Escape to Witch Mountain! And I really cannot wait to read your books. I know the feeling – I’m releasing a dystopian and don’t need to be told how saturated or over it is – but that’s what was in me to come out first because of all sorts of things, including my childhood reading habits and my school / university studies!


Jami Gold July 17, 2014 at 12:31 pm

Hi Sara,

Aww, thank you! *blush* And I believe the readers for these genres will always be there. I think it’s just that the publishers were spoiled by the trendy numbers and they’re less interested in the “normal” numbers. :-/

We can root for each other! LOL! Thanks for the comment!


Taurean J. Watkins (@Taurean_Watkins) July 22, 2014 at 4:00 pm

I’m so glad you blogged on this topic, Jami!

Sometimes as writers we forget that we’re readers, too, by which I mean that we can beat ourselves up when we don’t like something we read, this is especially common in children’s/YA authors where the common self-talk is “I’m not a kid or teen, so my feelings are irrelevant.”

I think that’s FAR MORE DAMAGING to a writer’s sense of self than some random flaming review (Not that they don’t hurt either-even if we pretend they don’t…), IMHO.

Yes, writers need to be mindful of who their readers are, but that doesn’t mean our tastes are that far removed from our reader’s, and for those of us debut authors who don’t have a backlist/reliable readership yet, we have to feel this out as we go.

It is possible to not like (or LOVE) a book, even if it’s blatantly aimed at you, I wasn’t keen on the “Artemis Fowl” series (back when I was in the target age group) but I don’t blame the author, it just didn’t appeal to me at that time in my life, clearly many more (in and out of the target market) adore it.

By contrast, I LOVE the Geronimo Stilton books (despite my personal hang-ups with Packaged books vs. books written by a single author: http://talkinganimaladdicts.com/work-for-hire), and they’re clearly not aimed at temperamental twentysomethings like me, and even if I weren’t an author I’d still read them.

Part of the reason I wanted to be an author was because I wasn’t finding the kind of stories I wanted to read, and if I did, few of them were written by men, and I don’t mean that in a sexist way, but despite all the points countless women make to the contrary, boys and men don’t always feel they’re the majority, and publishing’s no different.

Just like how we want ethnic diversity in our story characters, we need and want it in terms of gender, ethnicity, and interests of our authors as well.

Don’t get me wrong, I’m all for female empowerment, but just like how girls and women like seeing role models in their field, so do boys and men, especially if they have non-traditional interests as I did and still do. Just like how not all girls like pink, horses and frills, not all boys like cars, gross humor and sports.

As much as I have issues with nonfiction as a writer, I’m attempting a proposal for a nonfiction book profiling men who work in female-dominated fields.

We have entire museums dedicated to women breaking into male-dominated careers, why aren’t they’re more real life stories of men doing the same in female-centric career fields?

Even amongst writers I know, I’m often the ONLY man in a sea of women, and while I’m not at all suggesting a double standard, I think this is especially noticeable in the children’s/YA area of publishing, and while it exists elsewhere, it’s uniquely challenging here because even if the kid don’t divide gender pre-adolescence, the adults around them often do, and the younger your target audience, the more you have to consider two different readers, the kids, and the parents of said kids.

Sometimes those two worlds (Planet Kids and Planet Parents) don’t always sync up harmoniously, to put it nicely…

After all, many writers get their drive and creativity from what they themselves like to read, that shouldn’t change just because the readers we attract are younger than we are.

Besides, the best books often can engage beyond who they’re aimed at, we can accept this with film and television in ways we’re still struggling to with books, HP and Hunger Games aside…

Writers need to remember to honor themselves as readers, which does get tricky when you’re forced to see books differently than lay readers do, but there are many genres I love to read that I’ve no desire to write.

Romance is one, and while I don’t read nearly as much romance (paranormal or not) as Jami does, the books I click with stay with me.

Historical fiction’s another prime example of a genre I love as a reader, but find too onerous as a writer, as I’d feel too tied down to facts and historical accuracy to tell the stories I want to tell.

While some of my stories do have a love story, it wouldn’t fit in the mold of traditional romance, not just because of it’s “spice level” but also because while it’s important to the story, the story isn’t solely about a romantic relationship in the classic sense.

A big reason why I LOVE fantasy is because I can make up the history of the story’s world, without being wed to real life geography.

I made up the world, and by association, the history of said world. Sure, I may borrow from real life and use Earth as a base, but then I’ll expand and tweak from there. The only risk is not letting world-building slow the story down.


Jami Gold July 28, 2014 at 4:52 pm

Hi Taurean,

So true that as writers we are equally readers–or even “readers first.” We might read differently now that we understand more about the craft, but if a story pulls us in, we tend to forget even that. 🙂

And good point too about how we might love to read stories we don’t want to write. Historical romance is one of those categories for me. I have no interest in all the research to write one well, but I love reading them. 🙂

I just came home from the RWA National conference, and there were a few more men in attendance than in previous years, but they are still a 1% minority. I admire those who stick with it despite the assumptions of romance authors only being women. There’s a great deal of “man chest” attitude in book covers, promotions, etc., and in many ways, I think that’s unfortunate. So I think a study of their efforts to break into the industry (along with others in similar situations) would be interesting indeed! Thanks for the comment!


Glynis Jolly August 2, 2014 at 3:54 pm

I’m pretty sure that what I read as a kid has affected me and my writing. The stories I liked back then were about real-life problems and how they were solved. I was all for a book of mystery. I’m the same way today. I still read mysteries and books about peoples’ lives. In one way these two types are very different. The mystery is fast pace while to story about a person’s life can be leisurely. Yet, I love reading both. As for how I write — I gravitate to the stories about peoples’ lives right now, although I eventually want to try writing a mystery. I’m a realist, which may actually hinder my creative juices for something like sci-fi or fantasy.


Jami Gold August 2, 2014 at 4:46 pm

Hi Glynis,

Interesting! I love how you’re writing one type of story you enjoy but would also want to write the other kind eventually. 🙂 Thanks for sharing!


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