Where Normal Need Not Apply
We all love a “good” villain, but sometimes we want our bad guy to see the light and find redemption (or at least start on that path). Becca Puglisi is here to show us how with four paths to redemption for our villain.
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Many authors try to create a sense of friendship and connection to their readers. But some “authors” aren’t authors at all—they’re marketing people using ghostwriters and fake personas to trick readers into forming those connections.
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Sometimes a “refresh” of our brand isn’t enough to match the changes we want to make to our online life. Let’s explore what we might want to watch out for when we’re considering a major change.
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Our platform consists of online components, such as our website and social media accounts, that we use to get our messages out. But we can fall behind on keeping those components up-to-date and need to do a little spring cleaning.
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For many writers, revision is the scariest step of the editing process because it involves much bigger changes than simply tweaking a sentence or word. Lisa Poisso is sharing her suggestions for how to improve our revision skills.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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Writers are often a neurotic, self-doubting lot, so many of us long for validation. However, any validation is only temporary, and the best we can do is try to develop a healthy relationship with those desires.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of parallel sentence structures.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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