How Can We Recognize a Scene vs. a Sequel?
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how to balance scenes and sequels.
Where Normal Need Not Apply
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how to balance scenes and sequels.
As authors and audiences have diversified, it might be time to look at the standards for formatting non-English words and explore some of our options.
Pin ItA character’s backstory can be mined to add more emotion to our stories, such as by layering how their backstory’s defining moment affected them.
Pin ItEven if we’ve read cover-design advice before, there’s always more to learn. Here are a few insights from Renee Wittman we might not have thought of before.
Pin ItIn talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
Pin ItPlotters might find any kind of pantsing hard to understand, but even pantsers can struggle with pantsing our characters’ development, as that process comes with a different set of problems from developing our plots.
Pin ItA recent post by Diana Hurwitz explored the nature of antagonists in romance novels. Today, we’re taking a deeper look at our options for antagonists, especially in the romance genre, and how we can avoid creating unhealthy relationships.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
Pin ItWriters are often a neurotic, self-doubting lot, so many of us long for validation. However, any validation is only temporary, and the best we can do is try to develop a healthy relationship with those desires.
Pin ItWhatever genre we write, we often have to write scenes that make us uncomfortable. For many, sexy scenes are high on that discomfort scale.
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