Recently, the U.S. election insanity dragged in the romance genre. Uh, wait, what? Some memes have claimed women shouldn’t be mad about the words used in Trump’s bragging because…Fifty Shades of Grey. Let’s explore this idea—without politics. *smile*
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Should we refer to the real world in our fictional story? Let’s take a look at the pros and cons and why we might want to include those references, as well as why we might not.
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What makes a story *not* frivolous? If it’s gritty and dark? Has emotional depth? Or does it need to be “serious literature”? Can a story be light and yet weighty at the same time? Today, Kassandra Lamb shares her insights on how we can add meaning to our stories.
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Story beginnings are difficult to get right. We have to introduce the characters, the story, the setting, the protagonist’s longing, and show an immediate obstacle that creates a near-term goal. At the same time, we have to avoid confusing readers, and for that, we need context.
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If we have multiple story ideas, how do we decide which one we should write next? We want to pick one that we feel strongly enough about that when the going gets hard—and it will—we won’t be tempted by a different shiny idea. So how can we avoid second guessing ourselves?
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I’m back from beautiful San Diego and the Romance Writers of America National Conference and here for a quick recap of the past week with contest winners galore.
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One way we can keep our readers from one book to the next is to encourage them to connect with us or our stories. Bonus content on our website is one way to create engaged readers.
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I’m looking forward to seeing my friends again, and I’ll be doing my first book signing, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
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A recent article about unlikable heroines pointed out that likability is often more of a problem for female characters than for male characters. While I’ve learned how to minimize those issues with my characters, the problem still rankles me.
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One way to keep readers interested in our writing is to hook them with an excerpt to our next story at the end of our book. But there are times an excerpt could hurt our sales. When is it a good idea to include an excerpt—and when is it not?
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