What to Write Next: Playing Favorites
The vast majority of us will write more than one story during our life, so at some point in our career, we’ll have to decide what we’re going to write next. The question then becomes, how do we decide?
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Where Normal Need Not Apply
The vast majority of us will write more than one story during our life, so at some point in our career, we’ll have to decide what we’re going to write next. The question then becomes, how do we decide?
Pin ItWhen we first start writing, we often learn lots of new “rules,” which can narrow our focus onto writing craft so much that we lose sight of storytelling. How can we regain that storytelling mindset?
Pin ItBeyond the vague instruction to “write well,” what can we do to increase the connection readers feel with our story? Jefferson Smith shares specific things we can do that will make our stories more immersive.
Pin ItAn article comparing the Arrival movie to its short story inspiration triggered me to see Genre differently. In short, our story’s genre is simply the worldbuilding “lens” we use to explore our story’s meaning.
Pin ItIt’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.
Pin ItWe’ve explored how antagonists act as the conflict-engine for our story, but our Big Boss Troublemaker isn’t in every scene. What keeps the rest of our story going? Kristen’s going to teach us today about scene antagonists.
Pin ItOver the past couple of weeks, Kristen Lamb has been kind enough to let me share her insights on antagonists: what they are, why they help define our story, how to strengthen them, etc. Today, we’re exploring how antagonists create our story from beginning to end.
Pin ItIn a “man vs. self” story, we can’t just show a character arguing with themselves. Instead, Kristen shows us how to use a technique like in the movie Black Swan—where the outward antagonists represent the protagonist’s own issues.
Pin ItSometimes, we’ll say that a character is their own worst enemy, such as the “man versus himself” story premise. However, those stories use proxies to provide a face for the opposition. Today, we’re going to dig deeper into this idea of man versus self to better understand the concept.
Pin ItAll great stories are about one thing and one thing only—problems. More specifically? Every good story has one core problem in need of being resolved. Today, Kristen Lamb shares her insights into how problems, conflicts, and antagonists drive our story.
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