After we finish brainstorming and start trying to assemble our ideas into a story, that’s the perfect point in our writing process to avoid major problems by questioning what story issues we might run into before we write too many words.
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We often have more ideas for stories than we actually write, and somehow, we choose and prioritize. Why might we not write a story idea that we’re passionate about—and is there anything we can do to overcome those reasons?
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We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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Recently, a blog reader asked me whether she should worry about her word count while she revised. Her question highlights how a better understanding of the revision process can help our storytelling.
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Sometimes a “refresh” of our brand isn’t enough to match the changes we want to make to our online life. Let’s explore what we might want to watch out for when we’re considering a major change.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of theme development.
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Learn what skills to study with my master list of Story Development skills. What craft skills do we need to understand and be able to apply to develop a story and characters?
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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Science can be influenced by societal assumptions, so we certainly can’t keep “social ideas” out of our fiction. Our preferences, biases, beliefs, assumptions, etc. affect everything—whether we recognize them or not.
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