Where Normal Need Not Apply
A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
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When faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
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Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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Just as we have go-to favorite authors that we know we can depend on for delivering a certain type of story, readers are evaluating us for what we can deliver: What’s our promise to readers when they pick up one of our stories?
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After we finish brainstorming and start trying to assemble our ideas into a story, that’s the perfect point in our writing process to avoid major problems by questioning what story issues we might run into before we write too many words.
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We often have more ideas for stories than we actually write, and somehow, we choose and prioritize. Why might we not write a story idea that we’re passionate about—and is there anything we can do to overcome those reasons?
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We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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Recently, a blog reader asked me whether she should worry about her word count while she revised. Her question highlights how a better understanding of the revision process can help our storytelling.
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Sometimes a “refresh” of our brand isn’t enough to match the changes we want to make to our online life. Let’s explore what we might want to watch out for when we’re considering a major change.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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