Where Normal Need Not Apply
We normally create stories where the point—the theme—is in line with our worldview. But it’s not unusual for our characters to hold opposite beliefs, even our protagonists. At least to start. And their story journey is often where our theme lies.
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Last week, we looked at turning points from the perspective of beat sheets—how to identify them and ensure they’re changing the direction of the story enough to deserve their name. But turning points affect the story in other ways too. Turning points aren’t just about plot twists. (In fact, plot […]
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The middle act of our story isn’t about delaying until the “good stuff.” Instead, it should set up obstacles to make the final act more satisfying.
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Last year, I wrote a series of posts about a fabulous presentation by Michael Hauge on “Using Inner Conflict to Create Powerful Love Stories.” But the teachings I picked up from the presentation went far beyond being applicable only to romance. Blogger extraordinaire Janice Hardy was in the workshop with me, and […]
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Last time, we talked about using our characters’ strengths to develop their flaws. But I didn’t get a chance to talk about how we could figure out the matching flaw for a character strength. Many of you are probably familiar with the Myers Briggs test, a well-known test that labels people […]
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It’s easy to get wrapped up in our story’s subplots and twists and turns, but this recipe can cut through that confusion so we can complete a short, clear synopsis.
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My recent post about avoiding “information dumps” prompted a conversation in the comments about omniscient point-of-view (POV) and its use of “telling” rather than “showing.” Serena Yung wanted to know why omniscient POV—and thus, telling rather than showing—are less common now than in the classics. She’s certainly right about omniscient being […]
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NaNoWriMo (National Novel Writing Month—write a 50K word novel during November) starts today, and while I plan to continue blogging throughout NaNo, I wanted to make sure I gave you something good to keep you happy during my crazy month. *smile* Of course, whether or not you’d define today’s post […]
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Michael’s Six Stage Plot Structure describes a character’s inner journey in relation to external plot events. Over the course of six stages and five turning points, a character will stop living in fear and instead live courageously.
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By far, the best workshop I attended at the Romance Writers of America (RWA) Annual Conference was Michael Hauge‘s presentation, “Using Inner Conflict to Create Powerful Love Stories.” Unlike every other workshop, Michael gave his presentation twice. I attended on the second day and the room was standing-room-only packed. The first day was likely […]
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