Conflicts and Goals: How Do They Work in Romance?
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
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Can Passive Goals Ever Be Good for Our Story?
Our characters don’t want to change, so they often start with passive internal goals. How we can make those passive goals work for us and our story?
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Writer’s Block? Focus on Stronger Story Goals
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to choose good story goals.
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Story Planning: Leaving Our Options Open
How detailed is too detailed when it comes to planning our story? What can we can learn about leaving our options open as we draft our story?
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Pantser vs. Plotter vs. Something in Between
To hear some authors talk, we’d think there are strict plotters and strict pantsers and nothing in between, but there’s really no end to the mix of approaches we can use in our drafting.
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The Power of Character Arcs
Without spoilers for Avengers: Endgame, let’s explore how the power of the Marvel movies isn’t about the plot or spectacle—but with the characters.
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Worldbuilding a Series: Writing without a Plan
Some writers plan their worldbuilding details in advance. Others…not so much. How can we worldbuild when we write a series by the seat of our pants?
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What Defines Our Story? Drive vs. Focus
Ever feel like popular writing advice doesn’t apply to your story? Defining our story’s mix of drive vs. focus might help us know when advice is a bad fit.
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Story Revisions: Keeping Track of Changes
Anytime we make a lot of changes to our story, we risk problems, but it helps to track the edits we need to make. How can we organize our revision?
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Creating Characters Who Clash — Guest: Angela Ackerman
Every page of our story should include tension, such as friction between characters, but how do we create characters who clash? Let’s see how to develop characters who create tension in every interaction.
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