Where Normal Need Not Apply
On social media, I often encourage people to ask me questions. That’s not a superficial platitude. I am pathologically helpful, so when a reader asked for my advice about blogging, specifically how we would start and when we should get started, I decided to do a mega-link post with all my tips.
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In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.
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We’ve probably all been frustrated with slow progress at some point in our writing career. Maybe we’re frustrated with the slow increase of our word count. Maybe we’re frustrated with an apparent lack of improvement in our writing. Or maybe we’re frustrated with our sales numbers. The point is that […]
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.
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The ability to manipulate our readers’ emotions is a good thing (as screwed up as that sounds). Storytelling and keeping readers’ interest often comes down to creating emotions in our readers. So let’s take a closer look at how we create emotions in our readers and how we find the right balance.
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This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
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Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.
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After we complete a first draft, we might want to dig into revising right away because we’re still excited and passionate about the premise. But it’s often better to gain “distance” from our story first. Distance helps us see our story objectively so we can revise ruthlessly, not clinging to our intentions but seeing our story’s potential.
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If we’ve ever let beta readers or critique groups give feedback on our stories, we’ve probably run into the issue of receiving conflicting advice. In fact, if we’ve ever let more than one person read our work, we’ve probably received conflicting advice. *smile* One reader may love a character someone else hates. […]
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We’re all familiar with the concept of movie trailers, but book trailers are becoming more common too. Like a movie trailer, a book trailer is meant to increase interest in a story. Where queries and back-cover blurbs pitch a story in writing, book trailers pitch a story by showing. Literally. Some publishers […]
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