Where Normal Need Not Apply
We usually want to keep the reader immersed in the story and keep readers’ interest by engaging their emotions. But when we understand the psychology driving emotions, we might be able to make those emotions more realistic or recognize when there’s a disconnect on a character’s emotional journey.
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We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”
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No matter what genre we write, we’re likely to have to research something. If our stories take place within the real world, we might have to research events, settings, or diseases. If our stories take place outside the real world, we might have to research theories, ideas, or concepts. In other words, today’s post about how to research for writing projects will be relevant to most of us.
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We often choose which story to focus on by writing the idea that pesters us the most. That “squeaky wheel” path might lead us to hop genres without meaning to, and our brand is often tied to our genre. So should we ignore that idea? Learn some of the pros and cons we should keep in mind if we consider following our muse’s lead.
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As writers, most of us are insanely busy. *raises hand* And it can be difficult to find time to dedicate to writing. So I’m picky about the number and quality of blogs on my “must read” list. They have to earn their spot—and keep earning their spot. So why would I turn over control of my blog to others for most of a month?
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Today Marcy Kennedy shares tips to stay safe on Twitter, but many of these tips will apply to staying safe online—period. Not just for Twitter. And read on for my bonus tips of how we can implement her ideas across our online life.
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How we describe characters often depends on our story’s genre and what impression we want readers to have. When we’ve talked about descriptions here before, we focused on how it’s important to describe our settings enough to anchor our readers. Do we have to describe our characters to the same extent?
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
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Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.
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It’s almost time for NaNoWriMo, when thousands of writers will try to cram 50,000 words into a 30-day deadline. If you’re doing NaNo and anything like me, you might be freaking out a little as November nears. Although this is my third year with NaNo, this will be my first time doing it “for really-real.”
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