Where Normal Need Not Apply
I’ve mentioned before that I write very “clean,” which saves me money on editing. If we learn what we tend to get wrong and then watch out for those issues when writing, we can strengthen the skills that can help us write cleaner.
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When faced with a scene with issues, many writers have the tendency to get rid of the scene and start over, but more often than not, the new scene has issues too. Re-writing won’t fix every problem, so let’s see if we can find a different approach: re-envisioning.
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Certain types of reading are sometimes valued more than others. One descriptive term that’s often used as a put-down for genre stories is escapism, but is romance or any other genre story really “escapism”? What does that mean? Is escapism a “bad” thing, and if so, why?
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We might sometimes wonder if our main character is worthy of the label protagonist or if our story would be better told through another character’s eyes. So let’s talk about how can ensure our main character deserves the role of protagonist.
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Virtually every program to change our habits starts with the same step: recognizing our habits. We can’t fix what we don’t see, know, or understand. Let’s take a look at some of the things we can do to identify our writing craft habits…so we can then work to improve them.
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My series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, including what our newsletter strategy should be. Can our goals help us decide?
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A character’s arc involves change, but what exactly is changing? Today, Jeff Lyons shares how to ensure we’re not saddling our protagonist with generic character flaws to overcome, but rather we’re creating well-rounded characters with personal motivations for their struggles.
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There’s no end to the struggles we face as a writer, including gathering reviews for our books. With Amazon’s algorithms, the quality, quantity, and recency of reviews can affect whether potential readers ever see our work, so it’s important to encourage reviews of our story.
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Last week, Jeff Lyons shared how to make every story idea the best it could be. Today he’s delving into the tricky description of high concept. Many agents and editors say they prefer high-concept stories, but what does that mean?
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We can’t do it all, and as Jenny Hansen mentioned recently, that includes limiting our social media platforms. It’s so easy in this business to overdo things, and that includes our branding efforts. Let’s take a look at how to find (and keep) the right balance for the sake of our sanity.
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