In Part One, I proposed my Matrix theory for describing action and scenes in stories and talked about why it works. In this post, I’ll explain how to successfully use the technique to add details, both with narrative and dialogue—and how not to use it. So as I mentioned last […]
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Last time, I explained how to avoid dumping information into stories and how dialogue is often used incorrectly to convey details to readers—the “As you know, Bob” technique. It just so happened that my friend Simon C. Larter posted a related article with info dumps in dialogue that worked that […]
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Last time, I mentioned how stories—the good ones anyway—avoid the boring parts of the journey by jumping into the action. Today’s post continues that “skip to the good parts” theme to talk about settings. Setting is the sense of time, place, and mood within a story. Descriptions create a world […]
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