Where Normal Need Not Apply
When we write, we try to give our characters both strengths and flaws. Giving our characters a mixture makes them seem more real, more three-dimensional. Of course, the fact that characters seem more real when they have both strengths and flaws reflects that we are also a mixture of strengths and flaws, and sometimes our flaws hold us back.
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Every story beat or turning point scene—when events affect the main story question, conflict, or goal—needs to be included in a story. But what about non-turning-point scenes? How can we tell when to include them and when we can skip ahead?
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Threats and obstacles can develop the plot and increase the tension in our story, but they’re not necessarily the same thing as stakes. So let’s talk more about what it means to amp up the stakes in our story.
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Today’s “Ask Jami” came from a comment on my Romance Beat Sheet post. Nick wanted to know how a story’s structure would change if the romance is forbidden. Ooo…
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If we write our story well, every aspect of the story will contribute to the overall picture and create an impression for the reader. There aren’t any unimportant details in a well-written story. And that means the careers for our characters shouldn’t be an afterthought either.
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As authors, we’re often told to blog, but we don’t hear as much about the nitty-gritty of how to do so. If we take the time to blog, we want to make sure our time is well spent. So let’s review some tips, tricks, and “best practices” for how to reach our goals with blogging.
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Many books recently on the bestseller lists have been part of series. From the Divergent series to the new cliffhanger and serial books, series are a popular trend. But what if we don’t naturally write series? Will we be left behind? The “lessons learned” section in my post about Beverly […]
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We have a hard time defining literary fiction. Society gives us assumptions on the relative value of genre vs. literary fiction, but those assumptions miss the point. Assigning value judgments to the labels “literary” and “genre” doesn’t make sense because preferences are subjective opinions and there’s no “better” or “worse.”
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Reading is subjective. The stories some of us hate, others love. Personally, I have no interest in non-genre stories. This is not a sign of my inability to think deeply, but rather a personal preference. Mary Buckham’s ideas about the differences between literary and commercial fiction made me wonder about this preference.
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Too many kids who were voracious readers earlier in their life learn to hate reading during their teenage years. According to a post on Writer Unboxed, one third of high school graduates won’t read another book—for the rest of their lives. For too many, reading becomes a means to an end. Absorbing knowledge. Period. And reading for pleasure now seems like a faraway dream.
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