Last week, we talked about discovering the essence of our character, but what about the essence of our story. What makes a story idea the one we want to tell? And why does understanding our story’s essence matter?
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A character’s essence is about more than just unique characters, but what is their essence? These 3 perspectives on character essence teach us about our characters.
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Traditions are part of our lives, so they should be part of our characters’ lives too. We can add a touch of realism to our stories by including a sense of traditions between characters.
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Ever notice how some stories transport you more immersively into the story world? Author coach J. E. Martin is sharing her 5-step plan to help our writing create a cinematic experience for our readers.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from stories that successfully break writing “rules.”
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A recent Twitter thread brought up problematic reader expectations with story endings. Can we find a balance between “fulfilling our story’s promise and our genre’s expectations” and avoiding a cliché ending?
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When faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
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Given reviews about too-abrupt endings, readers might want a sense of closure beyond what authors deliver. Should we use epilogues—or epilogue-like endings—to breach the gap?
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We often talk about the pros and cons of prologues, but epilogues can be good or bad as well. Let’s look at how epilogues differ from normal endings, what they can do, and what they shouldn’t do.
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A truly broken story is one where the pieces of the story don’t come together in a coherent whole. But if we’re willing to put in the work, virtually any story can be saved. Then question then is: What steps should we take to fix a broken story?
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