Where Normal Need Not Apply
What makes writing “good” takes more than just learning writing craft. That gap between tangible skills and enjoyable stories means it’s always difficult to define what makes for good writing—especially our own.
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Several writing craft issues tend to be hallmarks of what’s called “lazy writing.” The practice of head hopping is usually considered lazy writing, but we might not understand why it earns that label. Let’s learn more and see how we can avoid head hopping and the “lazy writing” trap.
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For many writers, revision is the scariest step of the editing process because it involves much bigger changes than simply tweaking a sentence or word. Lisa Poisso is sharing her suggestions for how to improve our revision skills.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of parallel sentence structures.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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At some point in our editing process, we usually have to get nitpicky about our word choices because the right words often don’t come out in the first draft. This step can be tedious but oh-so-important for strengthening our writing and improving our story’s pace.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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Sometimes books don’t earn a “perfect” review because of minor problems. Let’s talk about some of the small issues that might hold back our work from being as good—or as great—as it could be.
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