It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into the lessons we can take away from the movie Everything Everywhere All at Once.
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how to balance scenes and sequels.
Angela Ackerman is sharing 5 methods to dig into our character and find their inner conflict—and examples for how to implement the ideas too!
Need more obstacles for your story and characters? Here’s how to easily make obstacles stronger, especially for our Black Moment.
What does it mean to take a different approach to conflict? And how can that understanding help us keep readers engaged in our story?Pin It
What should trigger our story’s Black Moment? Let’s take a deeper look at the role this turning point plays with our story and our character.Pin It
Our character’s job can be a source of story conflict, but how can we avoid clichés, especially with an office romance? Angela Ackerman shares her tips.Pin It
Before we figure out how to tie our character’s occupation to the story, we might need to understand more about the job and what it means for them.Pin It
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about bridging conflict.Pin It
How can we include conflict—and conflict resolution—between our characters without relying only on fighting? Check out L. Deborah Sword’s insights.Pin It