Several writing craft issues tend to be hallmarks of what’s called “lazy writing.” The practice of head hopping is usually considered lazy writing, but we might not understand why it earns that label. Let’s learn more and see how we can avoid head hopping and the “lazy writing” trap.
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Yesterday I played with Lumen5, a super-easy video creator. It makes it easy to create videos from blog posts or other writing in just a few minutes. Should we use it? Let’s take a look at how we might use it for promotion.
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Many readers want to read and support “own voices” stories, where authors share a marginalized trait with their protagonist, but authors can be uncomfortable with the label due to judgment or privacy concerns. Bran L. Ayres shares their tips for avoiding problems.
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We all love a “good” villain, but sometimes we want our bad guy to see the light and find redemption (or at least start on that path). Becca Puglisi is here to show us how with four paths to redemption for our villain.
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Many authors try to create a sense of friendship and connection to their readers. But some “authors” aren’t authors at all—they’re marketing people using ghostwriters and fake personas to trick readers into forming those connections.
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For many writers, revision is the scariest step of the editing process because it involves much bigger changes than simply tweaking a sentence or word. Lisa Poisso is sharing her suggestions for how to improve our revision skills.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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Not sure what parallelism means in our sentence structures? From lists and comparisons to using rhetorical devices, improving this skill helps strengthen our writing.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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