It’s hard to get our opening pages just right because we have to grab readers’ attention, introduce our characters and the story world, hint at a problem, etc. With everything we want to get across to the reader, we might dump too much information. How can we avoid info dumping or confusing readers at the beginning of our story?
Most of us have probably heard the advice about how we should make our writing more authentic or genuine. But what does that mean, and how can we make it happen? Today, Lizzie Shane joins us to share her insights into mining our experiences for our stories.Pin It
It’s time for another post as a Resident Writing Coach over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site, and this time we’re exploring 7 techniques we can use to keep our story moving while time passes for our characters.Pin It
What makes a “strong female character”? We can struggle to define them because we see so few successful portrayals of such characters—especially in movies. Luckily, Diana Prince in Wonder Woman is a wonderful (ha!) example, so let’s break down her strengths so we can push for more characters like her in our stories.
Virtually every program to change our habits starts with the same step: recognizing our habits. We can’t fix what we don’t see, know, or understand. Let’s take a look at some of the things we can do to identify our writing craft habits…so we can then work to improve them.Pin It
Many newbie writers try to perfectly replicate their ideas in their readers’ brains, even though overwriting slows down our pacing, repeats ideas, and prevents subtext. Luckily, Christina Delay is here with five steps to break the overwriting habit.Pin It
Editor Naomi Hughes is here with the third post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the line-edit level—and giving tips on how to avoid them!Pin It
Many people have tried to identify what goes into creating our voice, but it’s a hard thing to define. We often just know it when we see it. Voice is personal—not just for writers, but also for readers. Yet we can identify—and strengthen—the 5 elements that go into our voice.Pin It
Story description has a bad reputation for being “skippable,” but a story without description happens in a vacuum. Today, Janice Hardy is here to share advice and examples on how to make our descriptions less flat, less “told,” and therefore, less skippable.Pin It
Today, Janice Hardy shares her revision advice on how to include the right amount of backstory. Too much slows the pace, and too little can leave readers confused. Her tips help us avoid the issue of slow pacing, learn how to hide backstory, and identify when we need more.Pin It