Conflicts and Goals: How Do They Work in Romance?
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
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Where Normal Need Not Apply
Collection of Jami’s guest posts as a Resident Writing Coach at Writers Helping Writers (as well as follow up articles posted here).
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
Pin ItOur characters don’t want to change, so they often start with passive internal goals. How we can make those passive goals work for us and our story?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to choose good story goals.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to stitch together the pieces of our story after a big revision.
Pin ItJust as there are risks to breaking writing rules, there’s risk in emphasizing them too much as well. And what does “strong writing” really mean when it comes to developing our voice?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from stories that successfully break writing “rules.”
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from TV writing that might help us with scene and chapter hooks.
Pin ItA post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
Pin ItBecause our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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