Where Normal Need Not Apply
Somewhere along our learning curve as writers, we’re likely to come across the skill of layering. Layering can help us create unique characters, no matter how stereotypical or tropey they might be on the surface.
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Ever notice how some stories transport you more immersively into the story world? Author coach J. E. Martin is sharing her 5-step plan to help our writing create a cinematic experience for our readers.
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Just as there are risks to breaking writing rules, there’s risk in emphasizing them too much as well. And what does “strong writing” really mean when it comes to developing our voice?
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from stories that successfully break writing “rules.”
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Longer writing—such as stories—can often be easier to write than something shorter, like a synopsis, query, Twitter pitch, or log line. That’s why the skills important in poetry can strengthen our prose writing.
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Just as we have go-to favorite authors that we know we can depend on for delivering a certain type of story, readers are evaluating us for what we can deliver: What’s our promise to readers when they pick up one of our stories?
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The word showing obviously makes us think visually, but same as us, our characters experience the world through more than just their visual sense. What are our options for showing beyond visual descriptions? Can we create a deeper world by engaging other senses?
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How much of yourself is in your writing? This question can dig much deeper into who we are than just the superficial, and the more we’re aware of our influences, the more we can improve our stories.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of parallel sentence structures.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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