Where Normal Need Not Apply
The word showing obviously makes us think visually, but same as us, our characters experience the world through more than just their visual sense. What are our options for showing beyond visual descriptions? Can we create a deeper world by engaging other senses?
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How much of yourself is in your writing? This question can dig much deeper into who we are than just the superficial, and the more we’re aware of our influences, the more we can improve our stories.
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We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of parallel sentence structures.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
Pin ItOver the past two weeks, I shared my mega-lists of writing craft skills for story development, line editing, and copy editing. Before I offer those lists as downloadable checklists, let’s make sure the lists are as complete as possible.
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Copy Editing skills. What craft skills do we need to understand and be able to apply to perfect our writing?
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Line Editing skills. What craft skills do we need to understand and be able to apply to develop our voice and writing?
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There’s no “always right” approach to our brand’s voice. The traditional advice is to avoid talking about religion or politics, but in a politicized world, should our personal beliefs play a role in our brand or not?
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Just because we’re skilled at nonfiction writing doesn’t mean we’re skilled at storytelling (or vice versa). To do both, we might have to unlearn a lot of what we’ve learned about writing. Today, Elizabeth Randolph shares her insights on changing writing styles.
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When we first start writing, we might emulate what we’ve seen in our reading, but the default point of view isn’t necessarily the best choice. How can we know which choice is right for our story?
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