Where Normal Need Not Apply
We’ve been working to ensure my mega-lists of writing craft skills for story development, line editing, and copy editing are as complete as possible. Today, we’re diving into a deeper explanation of parallel sentence structures.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
Pin ItOver the past two weeks, I shared my mega-lists of writing craft skills for story development, line editing, and copy editing. Before I offer those lists as downloadable checklists, let’s make sure the lists are as complete as possible.
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Copy Editing skills. What craft skills do we need to understand and be able to apply to perfect our writing?
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With a “master list of craft skills,” we know what skills to study. Here’s my master list of Line Editing skills. What craft skills do we need to understand and be able to apply to develop our voice and writing?
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There’s no “always right” approach to our brand’s voice. The traditional advice is to avoid talking about religion or politics, but in a politicized world, should our personal beliefs play a role in our brand or not?
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Just because we’re skilled at nonfiction writing doesn’t mean we’re skilled at storytelling (or vice versa). To do both, we might have to unlearn a lot of what we’ve learned about writing. Today, Elizabeth Randolph shares her insights on changing writing styles.
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When we first start writing, we might emulate what we’ve seen in our reading, but the default point of view isn’t necessarily the best choice. How can we know which choice is right for our story?
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It’s not always easy to know how much showing or telling works best for our story, so let’s dig a little deeper into some of the problems with trying to find the right balance of showing and telling in our stories.
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Readers can interpret our characters as weak for many reasons, such as being passive, foolish, or lacking an arc. Another way a character might seem weak is using weak sentences in our writing, making them seem more wishy-washy than we intend.
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