Where Normal Need Not Apply
Aphantasia is the term for when someone can’t imagine something in their mind–“mind blindness” or not having a “mind’s eye.” As writers, this perspective not only gives us all sorts of story and character ideas, but it can also raise many questions about the concept of imagination itself.
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I’ve written many times about how much I love subtext, the stuff that happens between the lines. Subtext lurks in many aspects of our stories and helps immerse readers and add realism and tension. In addition, subtext can help us build layered characters.
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To create a great emotional story, we need to know not only the vocabulary of describing emotions, but also how we can evoke emotions in our readers. Marcy Kennedy’s here to show us how deep point of view can help us evoke those emotions we want within our readers.
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Our stories consist of many elements—from backstory to dialogue—that each contribute to our story. Yet we can overdo those elements with an information dump. How can we include the different elements while making sure we don’t cross over into Info Dump Land? Let’s talk options…
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Conflict is one of those words we all think we understand, but the writing-world meaning doesn’t have the same connotation as the non-writing meaning. Yet it’s only after understanding conflict that we’ll see the difference between antagonists and villains in storytelling.
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It’s usually best to avoid “naming” emotions in our writing and to show those emotions instead. But to put the Emotion Thesaurus’s emotional cues into our voice, we might need to add our own spin, like from our observations of the real world. Today’s guest post has tips for how to develop our observing skills.
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As we learn writing craft, we often go through phases. Just when we think we know everything there is to know, we discover another area to learn. One area I struggle with, even though I know the rules, is out-of-POV phrases. Luckily, one of my editors is a genius at finding these, and she’s here to share her tips.
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Many writers write both fiction and non-fiction (even if the latter is just blog posts), but the two types of writing require different skills—from authors and from editors. The better we understand the differences, the better we can follow the right rules at the right time and the better we can judge whether an editor is skilled in the right areas to be a good editor for us.
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When it comes to learning about point of view and how to avoid issues like head-hopping, it doesn’t help that half the information out there is confusing and contradictory. Let’s take a closer look at how we can find and fix these issues.
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I’ve added a page to my site to list my favorite writing craft and reference books. I’ve added several books that I thought of off the top of my head, but I know I’m forgetting a bunch too. So let me share the books I thought of, and let’s see what others have to add to the suggestions.
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