Where Normal Need Not Apply
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the lessons we can learn from TV writing that might help us with scene and chapter hooks.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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We’ve been talking about the difference types of transitions we might create between scenes and plot events. Today, we’re focusing on the types of sentences that will strengthen our scene endings (and thus our scenes).
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Last time, we discussed how to identify and fix episodic writing to make our stories stronger with the “But” and “Therefore” rule. However, there’s another option for transitioning from scene to scene: the “meanwhile.”
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix episodic writing so we can take our story to “epic” level.
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In Part Two, Jeff Lyons shares more of the most common writing myths and the lie and danger for us if we believe them. Learn the truth instead.
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Virtually every program to change our habits starts with the same step: recognizing our habits. We can’t fix what we don’t see, know, or understand. Let’s take a look at some of the things we can do to identify our writing craft habits…so we can then work to improve them.
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Editor Naomi Hughes is here with the second post in a series to share her writing craft and editing advice. Today, she’s highlighting the most common issues she sees at the scene level of editing—and giving tips on how to fix those issues!
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Story is different from plot, but sometimes we can have lots of plot ideas, and we might not be sure if—or how—we can pull those together into something that feels like a story. Let’s get some tips…
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For every aspect of our story, we have to find the right balance. One element many writers struggle with is description: too little leaves our readers floating without an anchor, and too much drags our story’s pacing. So how do we find the right amount and know whether we need more or need to cut?
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