Where Normal Need Not Apply
As writers, we have to be a one-man band for many aspects of our career. No matter how we publish, we have to do the majority of our marketing, and that can be a problem. Only so many friends or family members will spread the word about our work, so how can we reach people we don’t know?
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Ever heard the advice: “If you can stop writing, you should stop writing”? I’m here to say *pfft* to that. I gave up writing for years, yet I’m now a multi-published author. Choices we made about writing yesterday don’t determine today.
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I talked last time about the strengths of an alpha heroine. Does that mean betas are the opposite and therefore weak? Nope, I would never say that betas are weak, so what traits do beta characters have? What would a character without strengths look like?
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I struggle constantly with keeping my heroines likable. Especially because I want my heroines to be on equal footing—power-wise—with the hero. In other words, I want alpha heroines to go with my alpha heroes. So let’s take a look at how heroines might be alpha characters.
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Whatever happens in the Climax is often the reason we decided to write the story back when it was just a twinkle in our muse’s eye. But just before the beat of the Climax, our character experienced the Black Moment/Crisis, where they gave up. How do we get them to recommit to the story goals?
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There’s no “one right way” in publishing. We can probably all think of ways that don’t work, but there are often several paths that do lead to success. The same applies to encouragement advice. We often see two kinds of encouragement in the writing world: pushy and sympathetic. Either way can work, depending on who we are at this moment in time.
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Last week, we talked about the different kinds of editing and editors, and we also talked about how to evaluate editors. Now let’s dig deeper into some of the variations we might encounter when evaluating editors. By understanding these variations, we might better be able to find our perfect match.
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When we’re ready for professional editing, we want to make sure our editor is good, especially if we’re opening our wallet. Here are some tips, questions, and processes that will help us evaluate editors for our needs.
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What type of editors are most important for our success? Let’s take a closer look at the types of editing and when we might (or might not) need that type of editing.
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Whether we publish indie or traditionally, we may want to start a company at some point in our writing career, either for our pen name or for a publishing imprint or author services business. Today, I’m excited to have Kathryn Goldman here to share with us the legal aspects of starting our own company.
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