Where Normal Need Not Apply
Revisions are never easy. Unlike just plain edits, which might have us questioning a word, revisions might have us questioning everything. Sometimes the feedback we receive might cause us to wonder if the suggestions are a good idea for our story. How can we tell? Which battles should we pick when debating our publisher’s editor?
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In gearing up for the release of Pure Sacrifice, one frustrating experience was beyond my control. I’ve mentioned before that we should avoid assumptions about our characters, so I waited until I heard a voice that resonated and knew my paranormal character for this book wouldn’t be white skinned. Great! Except…
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Every time we start a new journey, we’re likely full of dreams based on the potential of that new phase. There’s nothing wrong with those dreams, but they are just the first step. A harsh truth is that most people won’t reach their dreams because there’s such a gap between wanting something and making it happen.
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Some writers can find themselves paralyzed by the thought of needing to get their first draft “right.” That’s crazy-making, however. A draft—a first draft especially—is a tool to help us discover the story we want to tell, the characters we want to meet, and the themes we want to explore. That’s it.
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Most genres benefit from including touches of humor here or there—even the dark and angsty stories. But I’m not naturally a funny person, so I jumped at the chance to host an expert on comedy writing. Rhoda Baxter is here to share her tips that will help us add humor to any genre.
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If we don’t want to write characters who are too perfect, we have to layer in a few flaws. That means we might be writing characters who are “broken” in some way, and we don’t want to get the details wrong. Luckily, I know just who can help us get this right.
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On social media, people regularly break the “rule” to avoid discussing religion or politics. Does it no longer apply? The answer depends on who we are and what our goals are. Our brand could be either quiet or loud, and the style of our interactions might affect or inform many aspects of our marketing efforts.
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As writers, we have to be a one-man band for many aspects of our career. No matter how we publish, we have to do the majority of our marketing, and that can be a problem. Only so many friends or family members will spread the word about our work, so how can we reach people we don’t know?
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Ever heard the advice: “If you can stop writing, you should stop writing”? I’m here to say *pfft* to that. I gave up writing for years, yet I’m now a multi-published author. Choices we made about writing yesterday don’t determine today.
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I talked last time about the strengths of an alpha heroine. Does that mean betas are the opposite and therefore weak? Nope, I would never say that betas are weak, so what traits do beta characters have? What would a character without strengths look like?
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