Many large, life-changing events can scare us—even terrify us. We might think, “It’s a good thing I didn’t know how hard it would be, or I might not have done it.” Sometimes writing or publishing can be terrifying, yet we have to move past our fears.
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Most stories open with the protagonist on page one, but every once in a while, our story seems to work best if we start with another character. If we understand why the protagonist usually works best as the point-of-view character for the first page, we might be able to remake those exceptions into stronger openings.
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One way we develop our characters is by figuring out their false belief: What lie do they tell themselves? Now the fun thing is to think about how that idea applies in the real world. Just like our characters, we tend to hold false beliefs and lie to ourselves as well.
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At some point, we’re likely to run into negativity in our writing-lives. Feedback might be filled with cruel “give up” put-downs. We might be attacked by internet trolls. Reviews might rip apart us, personally, instead of focusing on our book. So the question then becomes, what are we willing to do to avoid it?
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If you’re celebrating this week, I hope your plans all unfold smoothly, your travels all go safely, your family members all behave perfectly, and all your dreams for the New Year come true. Before I go offline for the holiday, I wanted to leave you with some fun (and yummy) gifts.
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The Black Moment is usually one of the most emotional sections of the story, so it can be difficult to pull together. If we read stories (or watch movies), we’ve seen this beat play out endless times, so we probably understand the plot point more than we may think. But let’s take a closer look and see if we can learn something new.
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In any profession, we have to stay on top of industry changes, and publishing is no different. Recent stories have stated multimedia ebooks are the future of fiction, so it’s in our best interest to learn whether storytelling will evolve into multimedia ebooks as the primary medium.
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Writers pursuing traditional publishing are often told not to pay for editing before submitting to agents or publishers. But the landscape has changed and we’ve had to change our opinion and attitude about many old-school advice “rules.” Should this advice should be next on the chopping block?
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We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”
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We often choose which story to focus on by writing the idea that pesters us the most. That “squeaky wheel” path might lead us to hop genres without meaning to, and our brand is often tied to our genre. So should we ignore that idea? Learn some of the pros and cons we should keep in mind if we consider following our muse’s lead.
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