Where Normal Need Not Apply
For many writers, revision is the scariest step of the editing process because it involves much bigger changes than simply tweaking a sentence or word. Lisa Poisso is sharing her suggestions for how to improve our revision skills.
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A Black Moment is an event in our story that steals the protagonist’s hope for a solution. However, some stories don’t make sense with a typical catastrophe for a Black Moment. How can we give them a Black Moment that will work?
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Writers are often a neurotic, self-doubting lot, so many of us long for validation. However, any validation is only temporary, and the best we can do is try to develop a healthy relationship with those desires.
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I’ve said before that line editing is the hardest type of editing to nail down. We can say that line editing is about how we write scenes and paragraphs, but what does that mean? What does line editing encompass?
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Because our themes live in the subtext, it’s easy to create unintended themes that undermine our intended theme. That risk increases if we’re trying to create success themes but our story has a bittersweet ending.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to find and fix the mixed messages undermining our story’s themes.
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Sometimes books don’t earn a “perfect” review because of minor problems. Let’s talk about some of the small issues that might hold back our work from being as good—or as great—as it could be.
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Writers find inspiration everywhere. That’s one reason why travel can be very inspiring to us. Yet inspiration doesn’t always work out like we planned, and we might need to watch out for inspiration leading us astray.
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I’m proud to write romance, so it’s no surprise that the #MeToo movement has prompted a lot of thoughts in me about the role of the romance genre in women’s lives.
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Science can be influenced by societal assumptions, so we certainly can’t keep “social ideas” out of our fiction. Our preferences, biases, beliefs, assumptions, etc. affect everything—whether we recognize them or not.
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