How Do We Use Sequels with Our Scenes?
Of the many confusing words in the writing world, the worst might be the terms “scenes and sequels.” What’s the purpose of sequels and how do we write them?
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Of the many confusing words in the writing world, the worst might be the terms “scenes and sequels.” What’s the purpose of sequels and how do we write them?
Pin ItSome verb tenses can cause confusion with passive voice. What is passive voice, and how can we tell when the word “was” is not a sign of passive voice?
Pin ItMany writers struggle to use the past perfect tense correctly, so let’s review when the past perfect tense applies to our story and how to use it properly.
Pin ItWe probably think we know everything about dialogue formatting already, but let’s make sure we know all there is to know before assuming.
Pin ItFor a strong story pace, we need to ensure every element has purpose. How can we do that? How can we know if a scene or sentence is pointless?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re talking about what makes a story’s pacing “good.”
Pin ItLove scenes are often difficult to write, especially if we don’t know how to write them well. Roni Loren’s sharing 3 pitfalls to avoid.
Pin ItWhat does the moving process have in common with the editing process? Both make us prioritize, purge, and question what matters.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about bridging conflict.
Pin ItWhy is it important for characters to be active or proactive rather than reactive or passive? How can we fix a passive protagonist?
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