Where Normal Need Not Apply
A writer’s life can quickly shift from leisure time to impossible deadlines, which can interfere with our healthy habits. To maintain our health, we should occasionally analyze our self-care habits and routines—especially when we have time between the chaos.
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Once we get a reader to check out one of our books, we want to hold onto them and keep them as a reader. Let’s take a look at our options for retaining readers…
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I’ve spoken many times about our learning curve as writers. Not only can it seem endless, but we can also be skilled at one aspect and unskilled in another. So at what point can we stop thinking of ourselves as beginning writers? When will we be “qualified” for the advanced stuff?
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If we’ve ever had a friend ramble or go off on tangents when describing a movie, we understand how story structure can help make stories more enjoyable. In other words, good story structure is an important element of good storytelling. Here’s how we can learn to analyze the structure of stories…
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As writers, we’re so close to our stories it’s impossible to know how readers will interpret our words. That’s just one reason why we often need beta readers.
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As writers and as readers, we’ve probably noticed the many ebooks offered for free and wondered why anyone would do all that work for nothing in return. My monthly guest post at Janice Hardy’s Fiction University explores the benefits and risks of freebies.
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Writing is an art form, and yet I don’t usually think of myself as an artist. But all types of artistic endeavors have the concept of a muse or a gut feel for when something is working—or not—so we might be able to use that general “artistic muse” concept to help us with our writing, especially when we suffer from writer’s block.
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Have you seen the ads for James Patterson’s Writing Masterclass? Here’s your chance to win a seat in his online class!
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Approximately seventy bajillion new books are released every day (give or take a few bajillion). Our newly released books might have a hard time being noticed, so when we find readers who like our work, we want to make sure they’re still in our audience for our next book. Enter the email newsletter.
Pin ItIf we’re looking into self-publishing, we’ve probably seen conflicting advice about how much to charge for our work. My monthly guest post over at Janice Hardy’s Fiction University digs deeper into the pros and cons of pricing low.
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