What’s the Right Way to Include Multiple POVs? — Guest: Kassandra Lamb
Some stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
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Character Descriptions: Avoiding the Boring Stuff — Guest: Angela Ackerman
Character descriptions are often necessary in a story, but can be boring. Here’s Angela Ackerman’s 7 tips for how we can keep our character descriptions from slowing our story.
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Do Our Stories Need More Conflict?
Out in the world, conflict is usually considered a bad thing, but our stories need it. How much conflict does our story need and how can we add more?
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Story and Character Goals: Can There Be Too Many?
There are many types of goals we have to juggle when writing, and conflict between our storytelling goals can make that juggling act more difficult.
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What Does “Plot Reveals Character” Mean?
We might have heard that the purpose of the plot is to reveal character. What does that mean and how can understanding it help our storytelling?
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Conflicts and Goals: How Do They Work in Romance?
In talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
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Can Passive Goals Ever Be Good for Our Story?
Our characters don’t want to change, so they often start with passive internal goals. How we can make those passive goals work for us and our story?
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Writer’s Block? Focus on Stronger Story Goals
It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to choose good story goals.
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Story Planning: Leaving Our Options Open
How detailed is too detailed when it comes to planning our story? What can we can learn about leaving our options open as we draft our story?
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How Pacing Helps Readers Care about Our Characters
I never watched Game of Thrones but this past season is an excellent example of how pacing can affect character arcs and readers’ relationships to our characters.
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