Where Normal Need Not Apply
This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
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The push for diversity isn’t about valuing diversity over storytelling. Or about meeting a quota. Or making a statement. This is about being a better writer.
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Diverse books are important—not simply for the sake of diversity—but so that by sheer number of representations, any one type of character isn’t limited to a stereotype. The truth is that we are all diverse. No one stereotypical character will ever represent us, no matter our color, nationality, or background.
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Endless advice exists telling us “life is a journey; enjoy the ride” and “happiness comes from within.” On some level, we’ve probably heard that advice so much that we dismiss what it really means.
But that advice is true and valid. Life is what we make of it.
Life is filled with work that needs to be done whether someone loves to do it or not. I’ll be the first to admit that I write because I love it. But the problem with thinking that we should do what we love and love what we do—as a career—is many layered.
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We have a hard time defining literary fiction. Society gives us assumptions on the relative value of genre vs. literary fiction, but those assumptions miss the point. Assigning value judgments to the labels “literary” and “genre” doesn’t make sense because preferences are subjective opinions and there’s no “better” or “worse.”
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Reading is subjective. The stories some of us hate, others love. Personally, I have no interest in non-genre stories. This is not a sign of my inability to think deeply, but rather a personal preference. Mary Buckham’s ideas about the differences between literary and commercial fiction made me wonder about this preference.
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Too many kids who were voracious readers earlier in their life learn to hate reading during their teenage years. According to a post on Writer Unboxed, one third of high school graduates won’t read another book—for the rest of their lives. For too many, reading becomes a means to an end. Absorbing knowledge. Period. And reading for pleasure now seems like a faraway dream.
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Last week I wrote about how to find a good editor, partly as a rant against the flood of bad editors out there. It seems like everyone and their brother—and their second cousin three-times-removed—thinks they can be a freelance editor. And if my inbox is any indication, the flood is […]
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