Where Normal Need Not Apply
There’s no right or wrong answer for how to depict intimacy in our writing—only what’s right for our story. The “right” amount can depend on our genre, our characters, their situation, their emotional journey, and our target audience.
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Several situations related to the line between disagreeing and bullying have been swirling through Publishing Land recently, so I want to address the subject while it’s relevant. That said, I’m sharing my opinion in this post, and you might have a different opinion. That’s okay.
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Are there prerequisites to call ourselves a writer? No. If you write, you’re a writer. Period. But when we pay attention to other writers, every writer—no matter how successful—could find something to feel inadequate about if we let our self-doubt get a hold of us.
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What makes a “strong female character”? We can struggle to define them because we see so few successful portrayals of such characters—especially in movies. Luckily, Diana Prince in Wonder Woman is a wonderful (ha!) example, so let’s break down her strengths so we can push for more characters like her in our stories.
Certain types of reading are sometimes valued more than others. One descriptive term that’s often used as a put-down for genre stories is escapism, but is romance or any other genre story really “escapism”? What does that mean? Is escapism a “bad” thing, and if so, why?
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Recently, the U.S. election insanity dragged in the romance genre. Uh, wait, what? Some memes have claimed women shouldn’t be mad about the words used in Trump’s bragging because…Fifty Shades of Grey. Let’s explore this idea—without politics. *smile*
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A recent article about unlikable heroines pointed out that likability is often more of a problem for female characters than for male characters. While I’ve learned how to minimize those issues with my characters, the problem still rankles me.
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As writers, we do everything we can to make readers invested in our characters in some way. An invested reader is a happy reader, right?
Well, maybe not. Let’s take a look at the other side of character development.
Theme is one of those concepts that can be hard to understand, but by understanding themes, we’ll better satisfy our readers. In the recent debate about the romance genre’s requirement for a happy ending, the controversy comes down to themes, believe it or not. *smile*
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Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
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