Building a Story: Chapters vs. Scenes
There’s no wrong way to get to “The End” when drafting our book. That includes how some think about chapters as they write and some think about scenes.
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Where Normal Need Not Apply
There’s no wrong way to get to “The End” when drafting our book. That includes how some think about chapters as they write and some think about scenes.
Pin ItA character’s backstory can be mined to add more emotion to our stories, such as by layering how their backstory’s defining moment affected them.
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the obstacles preventing change.
Pin ItA character’s false belief is central to a story’s internal arc, and the defining moment in a character’s backstory is key to creating that false belief.
Pin ItBackstory helps readers connect to our characters and provides context for their actions, but how can we make it compelling and avoid boring information dumps?
Pin ItIs a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
Pin ItNear the end of a story the protagonist often takes “a leap of faith.” How can we make our protagonist’s leap feel earned and strengthen our story’s theme?
Pin ItThere’s no “one right way” in writing, so how should we approach writing advice if even the most frequently shared advice is often wrong?
Pin ItTropes are often seen as lazy writing, but they can be good for our story. How can we make tropes meaningful and not cliché?
Pin ItSome stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
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