Where Normal Need Not Apply
It’s no secret that I’m a fan of story structure. I’ve created several beat sheets and have oodles of posts about the topic. But I’m also not a math person, so the idea of working in Excel for all those worksheets gave me the heebie-jeebies at first. I’m probably not […]
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Forgive me for not having a post packed with writing advice today. Instead, I’m sharing writing-related information of a different sort. Last February, I posted about the fantastic experience I had with WANACon, an interactive online writing conference. So you better believe I’m excited to announce that WANACon is happening […]
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A lot goes into deciding how to begin our story. We have to introduce the characters, the story, and the setting. We have to make it interesting, not confusing, or not accidentally misleading. Etc., etc., etc. If we think about it too much, we might seize up and not write […]
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I’m afraid I don’t have much of a post here today, but I have a good excuse—with news to help writers. *smile* First, I have a guest post over at Paranormal Unbound, where Angela Quarles and I discuss the subtext in paranormal stories. What does it mean for the romance […]
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Last week, Slate.com ran an article about how Blake Snyder’s Save the Cat book is ruining movies. According to that post’s author, “Snyder’s beat sheet has taken over Hollywood screenwriting. … Intentionally or not, it’s become a formula—a formula that threatens the world of original screenwriting as we know it.” I’ve […]
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Can those who write by the seat of their pants use beat sheets…without driving their muse crazy? If so, how? Here are few tips for how pantsers can draft and revise with beat sheets.
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Last time, we talked about how good storytelling can salvage even a poorly written book. As I mentioned in that post, storytelling skill is different from writing skill. Many people have a hard time defining what makes good storytelling—and that makes it difficult for us to improve. Yet I’d argue […]
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It’s easy to get wrapped up in our story’s subplots and twists and turns, but this recipe can cut through that confusion so we can complete a short, clear synopsis.
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A story’s narrative is made up of a chain of actions (motivation/cause) and reactions (response/effect). The cause-and-effect chain, whether at the scale of story acts or sentences, creates our narrative drive: Is the story leading somewhere?
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A couple of months ago, I read a blog post that forever changed how I approached drafting scenes. That probably sounds melodramatic, but it’s true. We’ve often talked about the differences between plotters and pantsers (those who write by the seat of their pants), and how as a die-hard-and-happy-about-it pantser, […]
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