Where Normal Need Not Apply
Encouragement for the ups and downs of writing. Sample topics: recovering from writing burnout, protecting your wrists, handling disappointments, celebrating accomplishments, faking it, etc.
If we know other writers at all, chances are good that we’ve heard a lot of advice. One of the most common pieces of advice? According to dozens of multi-published, bestselling authors, it’s “write every day.” Do they know better than us what it takes to be a writer? Is that a must-listen rule?
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Whether we pursue traditional publishing or self-publishing, rejection is a given for writers. Our choice simply comes down to how we’ll handle it. Will we let rejection hold us back, or can we see it as a sign that we’re doing something right?
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Due to my health issues over the past 14 months, I’ve missed a lot of self-imposed deadlines, and it’d be easy to get frustrated. But it’s important to remember that slow progress is not a failure. Slow progress is still better than nothing.
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Certain types of reading are sometimes valued more than others. One descriptive term that’s often used as a put-down for genre stories is escapism, but is romance or any other genre story really “escapism”? What does that mean? Is escapism a “bad” thing, and if so, why?
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We can’t do it all, and as Jenny Hansen mentioned recently, that includes limiting our social media platforms. It’s so easy in this business to overdo things, and that includes our branding efforts. Let’s take a look at how to find (and keep) the right balance for the sake of our sanity.
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Ever heard of the left-brain versus right-brain dichotomy—our logical, language-focused left brain versus our creative and artistic right brain? What does that mean for authors, with our need for creativity and language? Let’s dig deeper into this brain science…
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We’ve probably all heard the phrase: Fake it until you make it. Faking it isn’t always easy, but the effort of faking it can push us forward. Over time, we’ll often discover we’re not faking it anymore. What would be even better, though, was if faking it wasn’t as hard, right?
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The stories we write are affected by our worldview, but that’s not the only thing that might make us avoid writing about certain elements. By looking at the other reasons we might have, we can decide whether our avoidance makes sense or points out an opportunity to improve.
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Several debates have come and gone on the publishing landscape. Plotters vs. pantsers, self-published vs. traditionally published, etc. I’ve always said that people should find whatever works for them, but what if we don’t know what that might be?
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Our best intentions don’t always work out. Even if our goals seem realistic and possible, what we think is reasonable or what we think we think we have control over…isn’t necessarily the case.
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